Blade Runner is one of those movies people seem to either love or hate. On the one hand, Ridley Scott created a richly detailed and developed world that feels dark, gritty, real, and fleshed out in nearly every sense. On the other, the movie is a bit slow and plodding, light on action, and weighted down with its own mythology.
Beyond incredible set design, what Blade Runner really has going is a terrific performance by Harrison Ford. Remember that BR was released in 1982 at the height of Ford’s stardom, when he was coming off two massive Star Wars films and the first Raiders movie. Here, his portrayal of rogue-replicant hunter Rick Deckard has none of the cocksure swagger or wry humor of Solo or Indy, but rather is a man living a dark, solitary existence, taking no joy in his job, and frequently finding solace in alcohol. He’s a much deeper, darker, more real hero than what is normally portrayed.
The film also has one of the most tortured pasts when it comes to versions, with alternate cuts, and approved—and non-approved—director’s cuts. In fact, there’s a fair bit of debate over which version one should actually watch, or if the full Blade Runner immersion requires viewing all and taking bits and pieces from each. I myself have journeyed with BR for years, having watched the LaserDisc and owned the DVD and Blu-ray. And while you can read about all of the various versions here, I can tell you the definitive one is the new 4K HDR version available for download now at the Kaleidescape store.
While only Ridley Scott’s 2007 The Final Cut (or 25th Anniversary Edition) receives the full Ultra HD makeover, the download gives you access to the US Theatrical Cut, International Theatrical Cut, Director’s Cut, and Work Print, along with hours of supplemental material to complete your Blade Runner journey. And let me assure you, no matter how many times you’ve seen the movie, or how you felt about it on prior viewings, this is an entirely new Blade Runner experience. The film looks and sounds better than ever, and it’s especially timely given the recent release of the sequel, Blade Runner 2049.
The movie underwent an extensive restoration for the Ultra HD conversion, with much of the original footage scanned at 4K resolution and some of the 65mm effects footage scanned at 8K. There was also a frame-by-frame digital cleanup, the film has been re-color-timed to Scott’s specifications, and the remixed audio received the full Dolby Atmos treatment.
The result is a stunningly clean and magnificent-looking movie with virtually no grain or noise, with fine details apparent in nearly every shot. The HDR has been used to great effect, with solid, stable, and noise-free blacks and with neon lights and bright colors popping from the screen.
I’d forgotten how much of the movie was really a video torture test, with many scenes shot in darkly lit, often smoky interiors with bright lights piercing in from windows. This would normally reveal tons of banding and other video nasties, or have details totally lost in the dynamic-range contrast crush, but UHD’s higher bit rate keeps everything solid and pristine. Going back and comparing the look of this film to the original DVD version reveals the shocking level of care and restoration that has been taken, with the DVD marred by a sea of noise, grain, and age.
The Atmos audio mix is also used to greatly enhance the film, with many environmental sounds and Vangelis’ score mixed to the overhead speakers to great effect. I’d forgotten how it almost constantly rains in Los Angeles in 2019, but this plays right into Atmos’ overhead channel strengths. The bass mix is also quite dynamic, with deep, powerful explosions that will give your subs a workout.
While this transfer might not make Blade Runner your favorite film, it will definitely command your attention for its 117-minute run time. Download and enjoy it today!
Minor spoiler . . .
It has long been a “was he, wasn’t he?” argument regarding Deckard, with even Ridley Scott and Harrison Ford differing on their take. One thing I really noticed in the 4K version of the film was how Deckard’s eyes glowed in a specific scene when talking to Rachel—something that happens to all replicants in the film and which would seem to clearly indicate Deckard is one. Was this an intentional color change by Scott, or perhaps a subtle detail just brought out by the better transfer?
Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at
@SciaccaTweets and at johnsciacca.com.