So much has been written about Theo Kalomirakis and his body of work—the subject of two bestselling coffeetable books and countless articles and videos—that there’s not much left to say. Except maybe that, for all of that attention, people still don’t have a good bead on exactly how innovative and influential his efforts have been, or that his theaters spring primarily not from an interest in gear or interior design but from a deep love for movies and the art of watching them.
Theo’s work is a sincere and natural extension of that love, which goes well beyond just being a fan to being someone who understands and appreciates the deep wellsprings that feed the art of the movies. And because of that almost naive sincerity, Theo in casual conversation is the same Theo you get in an interview on camera. He would make a lousy corporate spokesman because he always says exactly what he thinks and feels—which is why he has always been the best possible representative for the industry he gave birth to and continues to inspire, and for everything that’s great about watching movies at home.
We had a chance to do a a brief interview with Theo in his temporary apartment overlooking the Hudson River right before he departed for his new home in Greece—a move that included dismantling and shipping the entire private cinema in his New York City apartment to be reconstructed in his summer residence. We discussed the pandemic’s impact on moviewatching, how he was faring with an ad hoc system in his temporary digs, and whether 8K will represent the same significant stride forward as did the progression from VHS to DVD to Blu-ray to UHD.
Here’s hoping Theo will be back in the States sometime soon so we can record a more exhaustive, definitive exchange on his history, theaters, and legacy.