All of the films have been fully restored from the original negatives, with subtle applications of computer wizardry just to clean up things like bad compositing and wires and errant reflections. And each successive film looks better than the one before it.

Here’s the thing, though: If you’re looking to pop in some archeological action-adventure as a home cinema demo scene, finding a self-contained clip within the movies isn’t easy. Once the ball starts rolling (literally and figuratively), the action just keeps cranking along until the closing credits.

But one of the most spectacular demo scenes comes right at the beginning of the third movie, The Last Crusade. It’s basically a self-contained short film with an inviting beginning, rousing climax, and rip-roaring conclusion, all within a span of 14 minutes. It’s also some of the consistently best-looking and -sounding material in the entire franchise.

The scene opens in 1912, with a young Indiana Jones (played by River Phoenix) riding through the Utah desert with his Boy Scout troop, when he stumbles upon graverobbers and manages to abscond with the precious artifact they’ve stolen. There’s a thrilling chase on a circus train. There’s a pit of snakes. There’s a lion. Then there’s a flash-forward to 1938, where a grown Indiana (Harrison Ford) is yet again trying to get his paws on the same crucifix.

You’ve seen the movie. You know how it goes. But here’s the thing: I don’t think you’ve ever seen it look (or sound) like this. Compared to the old Blu-ray release and digital HD version, this new 4K HDR remaster of The Last Crusade doesn’t look like an oversaturated cartoon. The color palette is more subdued, but also richer, more nuanced, more natural. Still, it’s punctuated by splashes of color far beyond the capabilities of Blu-ray. Indy’s scarf, the rich saturated colors of the illumination his father is studying—these hyper-color elements give the imagery the punctation it needs to look vibrant and dimensional without looking like a toddler got ahold of the Hue and Saturation knobs of your projector.

The new Atmos mix is also simply fantastic, especially in the 1938 sequences, where Indy has been captured on a vessel at sea in the midst of a raging storm. The crashing waves, the whooshing wind—all of it is given extra dimension by the new mix. It feels like you’re in the movie. Hell, it kind of feels like you’re in a theme-park ride, but that works for this franchise. The fact that they managed to add a third dimension to this aging mix without adding new sound effects is astounding. It doesn’t sound like a modern film—that would be stupid. But it does kind of sound like Atmos would have sounded like if it had been around in the 1980s. And I wouldn’t have it any other way.