Dora and the Lost City of Gold
If you’re looking for a family-friendly film that appeals to—and is appropriate for—nearly all ages, and that isn’t animated, you don’t often have a lot of options. Of course, Disney has been churning out live-action remakes of many of its classics, but this is a category many other studios have decided to avoid.
But since my daughters are 3½ and 13, I’m always interested in films that can work for all of us. So, when I saw that Dora and the Lost City of Gold was available for 4K HDR download at the Kaleidescape Store a full two weeks before its disc release, I queued it up for a family movie night.
Based on the animated Nickelodeon series, Dora the Explorer, the movie modernizes many of the beloved characters and puts them on a jungle adventure. My oldest, Lauryn, used to watch the animated series, so I was familiar with the main characters: Dora (Isabela Merced), her cousin Diego (Jeff Wahlberg, nephew of those other Wahlbergs), Swiper the stealing fox (voiced [unnecessarily] by Benicio Del Toro), and Boots the monkey (voiced bizarrely—but, thankfully, briefly—by Danny Trejo). I also knew about Dora’s talking Map and Backpack, whose voices are reprised by original voice actors Marc Weiner and Sasha Toro respectively.
Fortunately, you aren’t required to know anything about the animated series to jump right in and enjoy City of Gold, but those who are will certainly appreciate some of the clever overt and subtle nods and references sprinkled throughout the film, such as how Dora occasionally turns to the camera and says things like, “This is a golden poison frog. Can you say, ‘severe neuro-toxicity?’” which is one of cartoon Dora’s signature educational moves.
The film begins with six-year-old Dora (Madelyn Miranda) living in the Peruvian jungle with her explorer parents Elena (Eva Longoria) and Cole (Michael Peña). Dora spends her days playing and exploring with Boots and Diego, learning a lot about jungle life and survival. Cut to ten years later. Believing they’ve finally cracked the clues needed to locate the hidden Inca city of Parapata, Dora’s parents send her off to stay with Diego, who has since relocated with his family to Southern California. This move takes Dora way outside of her comfort zone, forcing her to experience an entirely new culture where she most definitely doesn’t fit in: High school.
After being waylaid during a class field trip, Dora, Diego, and two other students find themselves in Peru, where Dora learns her parents have gone missing. From there, the group embarks on an adventure to rescue Dora’s parents and get back to civilization, which forces them to work as a team to overcome a variety of obstacles and challenges, and ultimately locate and explore Parapata.
There is a fair bit of action for a kid’s movie, certainly enough to keep adults entertained, but most of it is fairly tame. And while there is some peril, there are no fatalities or gunplay. Much of the adventure is Goonies-style, with rolling logs, underground water slides, and different puzzle-traps to solve. It also reminded me a bit of Lara Croft-light, with adventuring Dora taking point and using her wits and skills to lead the group.
Both Boots and Swiper are animated in a far more cartoony style than the hyper-realistic animals featured in The Lion King (2019), but this is by design. However, a couple of other animals—namely a boa constrictor and pair of scorpions—show their too obvious CGI origins. The film does contain one fully animated scene, which is a great homage to the original series.
One of my favorite things about the film was Dora herself. She is determined, self-confident, smart, optimistic, and always sees the good in others. She doesn’t spend the movie obsessing over a boy, or worrying what others think of her, or endlessly gazing into a cellphone. This is the kind of positive “girl power” image I want my daughters to see. There are enough mean-girls films out there, with know-it-all kids surrounded by clueless adults, and it was incredibly refreshing to watch a movie about a 16-year-old girl who is trying to make the world a better place without needing to tear anyone else down to do so.
Dora on 4K HDR looks way better than any kid’s movie has any right to. My first note on the film was, “Image is super clean and sharp.” Filmed in ArriRaw in 3.4 and 4.5K, Dora is taken from a true 4K digital intermediate, and the image quality
definitely shows. Closeups reveal individual strands of hair, the texture of clothing fabric, and the detail of the jungle terrain.
Colors are also vibrant throughout, with lots of bright yellows, greens, blues, and reds. This is especially true in the closing credits song-and-dance number, where the school student body comes together in multi-colored outfits. The bright, daytime jungle scenes also look terrific. And there are a few shots of bright fires and blazing sunsets that also benefit from the wider color gamut, as well as the brilliant, lustrous gold of statues and idols.
HDR is used throughout to deliver deep blacks, especially during the night scenes or when the gang is inside some location solving a puzzle. In one scene, the group needs to use sunlight and mirrors to bounce bright light around a room using reflective bowls, producing both dark blacks and piercing brightness.
Sonically, Dora also benefits from a fairly dynamic Dolby Atmos soundtrack. The jungle is filled with atmospheric sounds like birds, insects, and dripping water that immerse you in the location. During one scene, arrows whip past and overhead or thunk into walls. The sound team takes other opportunities to get creative with the sound placement, like a ringing school bell, Boots racing around the
jungle treetops, water flooding the room, or voices. Bass is also appropriately deep and engaging when called for, especially during the finale at Parapata.
Dora and the Lost City of Gold makes for a fun family night at the movies—entertaining and humorous for adults (my wife especially liked the “dig a pooh hole” song), without being too intense or mature for kids. It’s a film younger viewers may want to visit more than once, drawn to Dora’s infectious charm. It also has the bonus of looking and sounding terrific in your home system, making it a real win in my book.
Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at
@SciaccaTweets and at johnsciacca.com.