Ep. 12: What the Hell’s Going On with the Movies? (Christmas Edition)
After a prolonged drought of episodes, we were able to knock out a couple back-to-back. So here, on the heels of our conversation with Paradise Theater’s Sam Cavitt and his client William Erb, comes our look at the strangest holiday movie season in memory.
So many momentous, and in some cases bizarre, events have played out with film releases since we recorded Episode 10: “What the Hell’s Going On with the Movies?” that some kind of followup seemed in order. What will happen on and around Christmas Day will likely have a huge impact on what happens with theatrical and home movie releases throughout 2021.
The episode opens with Dennis and Mike outlining the events, like the disastrous theatrical release of Tenet, that have led to the movie studios pinning their hopes on streaming—at least for the near future.
At 2:25, Dennis talks about Warner Bros.’ decision to finally release Wonder Woman 1984, and the implications of it appearing both in theaters and on the subscriber-challenged HBO Max at the same time.
At 9:35, we discuss Warner’s sudden and unexpected decision to use the WW84 release as the model for all of its big releases for the foreseeable future—and the resulting pushback from filmmakers.
14:30 brings a comparison of Warner Bros.’ fumbling efforts and Disney’s far more nimble and successful responses to the same challenges—which leads at 17:55 to considering the likely outcome of WW84 going up against Pixar’s Soul on Disney+ on Christmas Day.
19:55 brings a recounting of the horrors of trying to access HBO Max, and we wrap everything up beginning at 23:17 by handicapping WW84‘s likely box-office returns compared to what it probably would have made with a traditional release.
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Dennis Burger is an avid Star Wars scholar, Tolkien fanatic, and Corvette enthusiast who somehow also manages to find time for technological passions including high-end audio, home automation, and video gaming. He lives in the armpit of Alabama with his wife Bethany and their four-legged child Bruno, a 75-pound American Staffordshire Terrier who thinks he’s a Pomeranian.
Michael Gaughn—The Absolute Sound, The Perfect Vision, Wideband, Stereo Review, Sound & Vision, The Rayva Roundtable, marketing, product design, some theater designs, a couple TV shows, some commercials, and now this.