A scant two weeks after hitting theaters, Vin Diesel’s latest action thriller, Bloodshot, finds its way to wide digital release, available for purchase now at the Kaleidescape Store in 4K HDR with a Dolby Atmos soundtrack.
Considering theater chains around the world started closing within days of Bloodshot’s release, its opening weekend gross of nearly $30 million indicates it was on track to be another big success for Diesel, potentially even launching a new franchise à la Fast & Furious or xXx. And with an audience score of 78%, Diesel proves once again that he understands what his fans
are looking for. (With critics, not so much, as Bloodshot managed a rotten 29% rating.)
As the opening credits hit the screen, I sarcastically joked to my wife, “You can always count on Vin Diesel to deliver an ultra-realistic movie!” as I thought about some of the many physics- and reality-defying stunts he’s been a part of during the Fast franchise.
However, I have to say, the premise of Bloodshot works quite well for Diesel, the gravel-voiced actor who seems to convey any lines of dialogue with the exact same emotion and intonation. (There’s probably a reason why he was cast as the voice of both The Iron Giant and Groot from Guardians of the Galaxy.) Diesel’s character here, Ray Garrison, is a man of few words, much how John Wick lets Keanu Reeves use his fists and guns (and pencils, and motorcycles, and knives . . .) to do the talking for him.
So, I’m gonna say it. I really enjoyed Bloodshot.
BLOODSHOT AT A GLANCE
This Vin Diesel Total Recall-meets-Matrix-meets-Terminator-meets-RoboCop-meets-Live Die Repeat mashup is a feast for action fans, featuring a steady stream of demo-quality HDR/Atmos action scenes.
The 4K transfer gets plenty of chances to show off its HDR capabilities, with lots of dark scenes filled with bright lights, gunfire, explosions, and even particles of flour.
The Dolby Atmos mix successfully ranges from outrageous to subtle, doing as well with the sound of big machines as it does with creaking floors.
Yep. This is a movie that knows exactly what it is and what its fans want. It’s unabashed action, with big set pieces that move the story forward in an easy-to-follow manner that allows the characters to move from one exotic locale to the next destroying stuff.
Bloodshot/Garrison is actually not an original character, but rather based on a Valiant Comics character that can trace his origins back to 1992. But the story was totally new to me, so I can’t comment on how true it was to its comic roots, or anything else about the Valiant universe.
The film begins with US Marine Garrison single-handedly raiding a house in Mombasa and rescuing a hostage. Shortly after, Garrison and his wife Gina (Talulah Riley) are kidnapped by Martin Axe (Toby Kebbell) while on holiday in Italy, and when Garrison can’t answer Axe’s question about who leaked the location of the hostage, Axe kills Gina. And then Garrison.
He awakens, and finds himself in the headquarters of Rising Spirit Tech (RST), where the company’s CEO, Dr. Harting (Guy Pearce), reveals that Garrison has been resurrected by the company’s experimental nanite technology. Besides, you know, being brought back to life, this army of nanites now coursing through Garrison’s body gives him superhuman strength and healing, as well as the ability to tap into the Internet to access any data or knowledge he desires, basically making him the ultimate soldier.
A side effect of the resurrection is that Garrison has no memories of his previous life. During a conversation with another RST-enhanced former solder, US Navy diver KT (Eliza Gonzalez), Garrison hears a song that triggers memories of his wife’s killer, and from there Garrison is off to exact his revenge.
Or is he?
Bloodshot has a lot of elements of other films. It is definitely part RoboCop, with the resurrected, part-machine Garrison recovering memories and trying to reconnect with his previous life. It’s part Matrix as Garrison taps into the network to acquire skills on demand, like flying a Gulfstream jet. It’s part Terminator in the way he heals and reforms following grievous damage. It’s also part Live Die Repeat, as Garrison is forced to repeat missions. It’s also part Total Recall, where he’s not sure which memories are his and what he can trust.
But, if you’re gonna crib some movies for ideas, you could do a lot worse.
I’ve long held that some of the best looking and sounding movies released to the home market are coming from Sony, and Bloodshot is no exception. Shot on Panavision DXL cameras at 8K resolution, the home release is taken from a true 4K digital intermediate, and it looks it. Closeups are packed with detail and are razor-sharp, sometimes looking a bit too clear like when you are staring into every pore, eyebrow hair, or bit of whisker stubble on Diesel’s face.
Early shots of the Amalfi Coast or the Aviana airbase in Italy have a warm, gold cast to them, with candlelit and sunshine tones, while many later scenes are tinted with cool blues and silvers, giving images a glossy, high-tech sleek and modern palette.
The film’s real visual treat is its extensive use of HDR. There are many scenes throughout shot in dark interiors where there are lights—fluorescent bulbs, spotlights, screens, overheads, wall spots, case lighting, etc.—that brightly illuminate the scene without noise, banding, or washing out the dark details.
There is a lengthy tunnel fight sequence that makes especially good use of HDR, resulting in a visual feast that will make fantastic demo fodder. Garrison intentionally jackknifes a flour truck in a tunnel to trap a caravan. Once inside the tunnel, all the lights are off, plunging the entire space into blackness. As the bad guys start exiting their vehicles, the tunnel is illuminated by a variety of light sources: Vehicle headlights, red flares, weapon laser pointers, and gunfire. We can see the individual flour particles floating in the air, as well as the bright beams of light, sharp reds of the flares and lasers, and stabbing flames from the weapons.
Another scene has KT doing some kind of underwater ballet or tai chi. The camera looks at her head-on underwater, but behind her is a bright spotlight, illuminating her and the water in myriad shades of blues, which is just an absolute, worst-case banding nightmare. But here the gradations are smooth and seamless with no noise or banding, something I don’t think any bandwidth-limited streaming service could manage to pull off as beautifully.
Sonically, Bloodshot offers a ton for home theater fans to enjoy, with a soundtrack that is dynamic, engaging, and immersive throughout, with frequent use of the height speakers in creative and convincing ways. Whether it’s the Talking Heads’ “Psycho Killer” blasting through the overheads and surrounds during an interrogation, or voices echoing around the room during
Garrison’s flashbacks, or the sound of machines sliding overhead with gears turning and whirring, you are always in the midst of the action.
The big fight scenes also pour on the audio mayhem as you’d expect, with bass that is deep and authoritative as needed, energizing the room with explosions. Gunshots are also sharp and loud, with bullets punching holes in the sides and rear of the room, followed by sounds of debris and rubble.
There are also some nice subtle audio moments, like the creak of wood flooring to indicate a person walking overhead, or glass shattering and elevator cabling creaking and whooshing past your head, or the sound of drones whirring overhead. Bloodshot offers a terrific amount of demo material to show off your theater, especially though with Atmos-capable systems.
This movie’s conclusion all but screams “BLOODSHOT WILL RETURN IN A SEQUEL!” as the main characters literally drive off into the sunset. But that sequel will likely have to wait and see how the box office—and home video sales—ultimately stack up.
Bloodshot isn’t a movie where you’ll be in for any big Keyser Söze reveals or plot
twists as the bad guys are pretty clearly telegraphed. This movie is far more about the fun of the journey than the excitement of the destination. Most importantly, Bloodshot looks and sounds fantastic in a premium home theater, with perhaps one of the most active and dynamic Dolby Atmos soundtracks I’ve heard in a while, and it will likely find its way into your demo-scene sizzle reel.
Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at
@SciaccaTweets and at johnsciacca.com.