Review: Chaos Walking
On paper, Chaos Walking had all the makings for the start of a major franchise. Based on the successful award-winning trilogy of novels from Patrick Ness, the film is an adaptation of the first book in the series, The Knife of Never Letting Go. It’s also led by two major young stars: Tom Holland of recent Spider-Man MCU fame and Daisy Ridley from the final trilogy of Star Wars films. And it’s directed by Doug Liman, who also helmed The Bourne Identity and Edge of Tomorrow (aka Live Die Repeat), with a significant budget of $100 million.
But history has shown us that there’s no such thing as a sure thing in Hollywood, and even though you have all the right ingredients and budget for a gourmet meal, you can still end up making a nothingburger. Which isn’t to say that Chaos Walking is a bad movie. In fact, it plays really well in a modern home theater with a very clever and active Dolby Atmos soundtrack and clean, sharp visuals. It’s just that watching it, you could see that it had the potential to be so much more.
I’m a fan of dystopian Young Adult fiction. I’ve read the trilogies in Suzanne Collin’s Hunger Games, James Dashner’s Maze Runner, Veronica Roth’s Divergent, and Moira Young’s Dust Lands series, but I’d never heard of the Chaos Walking series, so I can’t offer any commentary on
CHAOS AT A GLANCE
This adaption of the ‘Tween trilogy of the same name doesn’t live up to its potential, but does provide some diverting eye and ear candy.
The film looks great, with the images always clean and sharp.
The Dolby TrueHD Atmos audio mix is pretty aggressive, with the height channels frequently employed for ambient effects and dialogue.
how true the movie remains to the book. Sometimes, that’s the best way to go into a series, without bringing any of the preconceived ideas and expectations from a 500-page book that a film can almost never live up to. (I’d submit The Dark Tower as a prime example on how to run totally roughshod over a beloved series of books in a single 90-minute film.)
Chaos Walking had a torturous path to the big screen. After announcing Liman as director in 2016, principal photography began in 2017, with an original release date set for March 2019. However, after poor initial screenings, and scheduling conflicts of the leads delaying reshoots, and then a global pandemic, the film didn’t see its theatrical debut in the States until March 5. Following poor reviews (22% critics rating on Rotten Tomatoes) and even poorer box office (grossing just $17 million worldwide), the film arrived on PVOD on April 2. It is now available as a premium rental option from Kaleidescape for $19.99, where it includes a 4K HDR download with Dolby Atmos soundtrack.
The film opens with a title card reading:
“The Noise is a man’s thoughts unfiltered, and without a filter a man is just chaos walking.”
—Unknown New World Settler
It’s the year 2257, and the settlement of Prentisstown on the planet New World is inhabited only by men. Every citizen’s thoughts are on display for all to see and hear, something they call The Noise. The town is run by Mayor Prentiss (Mads Mikkelsen) along with Preacher Aaron (David Oyelowo), who we learn early on doesn’t get on well with the Holland character.
We’re told that the native aliens on the planet, the Spackle, came and killed off all the women. One day while out walking in the forest, Todd Hewitt (Holland) comes across the wreckage of a crashed spacecraft. The sole survivor is Viola (Ridley), a woman who has no Noise, who goes on the run after hearing and seeing Todd’s Noise. The men of Prentisstown capture Viola, and she is questioned by the Mayor where she discloses that she was in a scout ship from a larger vessel filled with 4,000 people due to land any day. Viola escapes, and when it is clear that the men mean to do her harm, she and Todd go on the run looking for help in a neighboring settlement.
I found the premise interesting and compelling, and the plot device of seeing/hearing all of the men’s thoughts was a nice way of delivering exposition, along with some humor courtesy Holland, whose Noise is especially chatty, with his quips reminding me a bit of his Peter Parker. I also felt that Holland and Ridley did the most with what they were given, and Mikkelsen seems to dig into his role as the Mayor. It’s just that it never really got going, or offered enough information, character development or motivation, or drama to gain any real momentum—especially when the film’s big “surprise” reveal takes place about halfway through and then just leaves us with a typical chase as Prentiss and his men try to track down Viola and Todd.
Fortunately, the film at least looks great. Filmed on Arri at 6.5K, this is taken from a true 4K digital intermediate and images are always clean and sharp. You can appreciate the different textures, patterns, and wear in the fabric worn by characters, and see great detail in the closeups of actors’ faces. The focus is also razor sharp in scenes, with objects having clear and
defined edges, letting you see individual twigs, sticks, and branches in the forest.
New World is very organic, with lots of forests and the settlement a bit like an Old West mining town, with an earthy color palette. There are a few shots of Viola in space prior to landing, and these have a far more modern feel—brighter, with lots of contrast from space and planets and the mechanical elements of her ship. Black levels are deep and clean throughout, and the HDR grade helps with lots of shadow detail in the forest, as well as bright highlights from sunlight streaming in through windows and cracks in wooden slats.
The Dolby TrueHD Atmos audio mix is pretty aggressive, and there are tons of ambient sounds from the forest scenes as characters move about New World or when a gadget blasts laser bolts all around the room. One scene has characters hiding under floorboards and overhearing a conversation, and you hear the creak of wood and the conversation happening up overhead.
The Noise plays a big part in the film, and the mixers use this as a nice audio element, placing characters’ thoughts up into the height channels or filling the room with literal noise in large crowd scenes. Because the Noise is mixed up into the height speakers, sometimes that dialogue can be a bit tricky to understand,
especially when many other layers of sounds are happening, but you can clearly hear all the important parts. And you’ll hear “I’m Todd Hewitt—control your noise” being thought over and over (and over . . .) as he tries to block his thoughts from others.
There aren’t a ton of moments requiring big low-end effects, but your subs are called into play —occasionally significantly—when appropriate, such as when Viola’s ship is entering the atmosphere or during a galloping horse chase.
With an audience rating of 71%, Chaos Walking definitely has some appeal. And with it being released in theaters just a month ago, it is some of the freshest content you can view at home. While its leads probably have more appeal to a ‘Tween crowd, Chaos’ premise is compelling enough to hold your attention, and the eye and ear candy certainly make for a fun evening at home.
Probably the most experienced writer on custom installation in the industry, John Sciacca is co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at @SciaccaTweets and at johnsciacca.com.