If you’re the type of person who enjoys mecha-versus-giant-monster action flicks, chances are pretty good that you saw Pacific Rim when it hit cinemas in 2013. Unfortunately, chances are equally good that you saw its awful followup, 2018’s Pacific Rim: Uprising.
Look, I know bad sequels are the rule, rather than the exception. But Uprising wasn’t just a bad sequel. It was a sequel so bad that it actually made the original worse by virtue of existing. Its convoluted plot and nonsensical character relationships, if accepted as true within this cinematic universe, somehow manage to retroactively undermine the straightforward plot of Guillermo del Toro’s ridiculously fun original movie. And as such, I’ve had trouble returning to Pacific Rim for the better part of
two years now, unable to wipe the stain of Uprising from my robot-and-monster-loving brain.
If you find yourself in the same camp, it’s time to give the first Pacific Rim another look-see. And if you’ve never seen either of them, I beg you to ignore the second movie and give the first one a fair shot, assuming the premise doesn’t offend your sensibilities.
Because, yes, Pacific Rim involves gigantic walking tanks that look vaguely humanoid, piloted by hotshot jockeys whose sole purpose is to clobber gargantuan other-dimensional creatures that stomp up from the ocean depths to lay waste to human civilization. But that’s not really what the movie is about.
As with all of del Toro’s movies, it’s a story about humanity.
RIM AT A GLANCE
With interesting new releases in short supply, now is the perfect time to rediscover Guillermo del Toro’s inspired 2013 robots vs. monsters slugfest.
One of the most stunningly detailed and visually awe-inspiring transfers of the 4K era.
One of the few Atmos mixes that manages to be immersive and enveloping without distracting from the onscreen action.
But specifically, it’s about the endurance of the human spirit in the face of impossible odds. The director draws a lot of inspiration from obvious sources like Gojira, Neon Genesis Evangelion, Tetsujin 28-go, and Ultraman. But it’s also impossible not to see the influence the works of H.P. Lovecraft had on his vision for this mash-up universe. And it’s in inverting and subverting the themes of Lovecraft that Pacific Rim really finds its heart.
If you’ve not familiar with Lovecraft’s Cthulhu mythology, it was the foundation of what’s known as cosmic horror, a genre about coming to terms with notions of the ultimate insignificance of humanity in the face of problems too large for us to comprehend. Pacific Rim effectively takes these horrors and says, “Hell, no. One way or another, we’re not going to let this be our end.”
As such, you can see it as an allegory for all sorts of things, from the threats created by natural disasters to the impending doom of climate change. No matter what existential threat you plug into the equation, though, del Toro is saying that cooperation—indeed, vulnerable acceptance of our reliance on one another—is the solution to problems too large for any of us to deal with.
Of course, I’m not digging too deep to get to these themes. Pacific Rim isn’t even remotely opaque. It wears its meaning on its armor-plated sleeves like any good rock-‘em-sock-‘em end-of-the-world battle royale movie should. But ultimately, the fact
that Pacific Rim is about something—that it means something—is what sets it apart from so many other recent big-monster movies.
Unlike the 2014 remake of Godzilla and its 2019 King of the Monsters sequel, Pacific Rim stays grounded in the (admittedly overwrought) human drama of it all. Guillermo del Toro understands that if you don’t care what happens to the humans at the center of the story, you won’t really care when kaiju start ripping through
cityscapes and knocking down buildings. As such, it leans on a rather unusual structure. Although, interestingly, it’s a structure that would be blatantly ripped off by Avengers: Endgame a few years later: Cram what the audience expects to be the entire movie into the first 15 or 20 minutes, then flash-forward five years and spend a protracted second act focusing on the character relationships before rocketing toward an epic battle late in Act 3.
The result is such a wonderfully paced movie that its 132-minute runtime feels like a brisk 90 minutes at most. (By contrast, Uprising’s 110 minutes felt like a brutal, relentless, never-ending gauntlet of incomprehensible masochism.)
Pacific Rim’s excellent UHD/HDR10 transfer is further evidence for why we need to quit worrying about resolution. Sourced from a 2K digital intermediate (despite the fact that the movie was shot in 5K resolution), this remains one of the most stunningly detailed and visually awe-inspiring transfers of the 4K era. It’s true that the high dynamic range and wide color gamut aren’t used to mimic the look of film the way so many other successful 4K/HDR transfers do. Instead, the 10-bit color and cranked contrasts are used to give this neon-colored cartoon of a live-action movie the sort of depth and weight it lacked in high-definition.
I’m not knocking the 1080p release. It was one of the finest transfers of its day. But unburdened by the limitations of 8-bit video, the HDR transfer of Pacific Rim positively brims with a richness and intensity of color that was never possible at home
until recently. The streets of Hong Kong come to life with a neon vibrancy that makes this unbelievable world just a little more believable.
Bottom line, I would rank it in the Top 5 HDR home video transfers to date, and Kaleidescape’s release captures it all perfectly, from the rain-soaked inkiness of the predominately nighttime setting to the crackling potency of the radiation spewing from the mouths of the otherworldly beasts. Kaleidescape also offers the film with your choice of Dolby Atmos or Dolby Digital 5.1 soundtracks, and although I would normally opt for the latter, this is one of the few Atmos mixes I truly love. It manages to be immersive and enveloping without distracting from the onscreen action, and the robust bass adds much-needed weight to the massive mechanical and alien combatants.
Interestingly, the Kaleidescape download of the 4K/HDR version includes something the UHD Blu-ray release doesn’t: All of the extras included with the original HD release. The 4K disc only features 13 short documentaries, known as “Focus Points,” which spotlight different aspects of the making of the film. The Kaleidescape download also includes deleted scenes and a hilarious blooper reel.
The best of the extras, though, is the audio commentary by Guillermo del Toro,
which you’ll have to download the 1080p version of the film to listen to. It’s worth the effort, since he dives deep into the color coding he used throughout the film to give viewers insight into the characters in a way that exposition simply couldn’t. The commentary also reveals the primary reason why this movie works when so many similar efforts are simply awful—because it was a labor of love. Del Toro genuinely adores big robots and gigantic monsters, and sees no reason why a movie about them can’t be made with the same care and attention to detail you would expect from a serious film.
Make no mistake about it: Pacific Rim is not a serious film. It’s a feel-good action flick with a ridiculous premise that only works if you buy into it. But it’s an incredibly well-made feel-good action flick with a ridiculous premise that only works if you buy into it. So, unless you’re simply allergic to that premise, give it a shot. If nothing else, I think you’ll find that it’s one of the best home theater demo movies ever made.
Dennis Burger is an avid Star Wars scholar, Tolkien fanatic, and Corvette enthusiast
who somehow also manages to find time for technological passions including high-
end audio, home automation, and video gaming. He lives in the armpit of Alabama with
his wife Bethany and their four-legged child Bruno, a 75-pound American Staffordshire
Terrier who thinks he’s a Pomeranian.