I’ll forgive you if you’re suffering from a bit of superhero-film fatigue. The past few years has seen theaters inundated with a steady slate of supers, both solo and in teams. Between the 20-plus films in the Marvel Cinematic Universe, X-Men, the various DC films, the anti-heroes Venom and Deadpool, and the myriad of spinoffs available for streaming on Netflix, barely a weekend seems to go by without some new hero flick appearing on the screen.


That’s one of the reasons why I took a pass on Shazam! during its theatrical release despite some decent buzz, a clear (and much needed) fresh approach by the DC team, and a shockingly high Rotten Tomatoes score of 91%, just slightly below the franchise-best 93% of Wonder Woman. But if you avoided Shazam! during its theatrical run, you might want to give it a second chance in your home theater as the film not only looks and sounds fantastic, it’s just fun to watch.


Starring 16-year-old Asher Angel (best known by ‘tween girls everywhere for his role of Jonah Beck on The Disney Channel’s Andi Mack) as Billy Batson, the boy who transforms into the adult Shazam!, and co-starring 15-year-old Jack Dylan Grazer (It) as his foster brother Freddy Freeman, the youth lifts the heaviness present in so many recent DC films and gives the filmmakers the opportunity to inject some lightheartedness and humor into the proceedings. Imagine that? A DC superhero who isn’t dark and heavy the entire time? Add Zachary Levi, who appears to be having a blast as Baton’s superhero alter ago, perfectly translating a teenager being thrust into a full-grown hero’s body. All of this produces a recipe for a film the entire family can enjoy. (Common Sense Media actually recommends it for ages 12+, as there are a couple of fairly intense PG-13 scenes that could definitely frighten younger viewers.)


At 2 hours 12 minutes, Shazam! isn’t short, but it uses its runtime efficiently to provide enough backstory to explain why Batson is so obsessed with finding his mother, how he’s chosen to become Shazam, how he discovers his superhero abilities, and why the film’s arch-villain is so bent on getting a second chance to be considered “worthy.”


I seem to recall reading some Shazam! comics growing up, but I remembered virtually nothing about the character or his abilities, so the story was new (i.e., interesting) to me. After bouncing around a variety of foster homes, Batson lands in a new house filled with other foster kids. After saving Freeman from bullies at school, he’s summoned to the Rock of Eternity by the ancient Wizard Shazam (Djimon Hounsou). The last of the council of wizards, Wizard Shazam is dying and is looking for a new champion who is “pure of heart” to bestow his magical powers to before he goes. This champion will have to fight the one who stole the Eye of Sin, a device that inhabits its owner and that holds the Seven Deadly Sins that can be unleashed on the world.


With the powers transferred, Batson transforms into a near invincible hero whenever he shouts “Shazam!” But he is given no instructions about what these powers are or how best to use them, and the film uses this discovery process to much comedic effect, with the chemistry between Grazer and Levi making for a great buddy comedy.


Shot in ARRIRAW at 3.4K resolution, the Digital Intermediate format is only listed as “master format,” but the picture quality leads me to believe it’s 3.4K upsampled to 4K, rather than downconverted to 2K. Closeups reveal incredible detail, such as the texture in Shazam’s suit, the fabric of Batson’s hat and jacket, or individual strands of the Wizard’s hair. Virtually every shot bristles with detail, especially the brightly lit outdoor scenes. Images also have incredible sharpness and edge detail without seeming exaggerated.


Even more impressive than the resolution is the film’s extensive use of HDR and the format’s wider color gamut, which is deployed judiciously to enhance images that benefit from the added brightness. The Rock of Eternity has deep, black 

shadows, yet the orb atop the Wizard’s staff and The Eye of Sin glow brilliantly and intensely, offering far more illumination on the Kaleidescape download than on the Blu-ray version. The lightning bolts that appear every time Shazam transforms, and the bolts of electricity he blasts, are also far more intense. Even the ever-present glowing lightning bolt on Shazam’s chest (a practical design rather than a CGI effect) has more intensity and pop with the benefit of HDR. Nighttime scenes in Philadelphia—including the film’s climatic battle at an outdoor carnival—have so much more depth and dimension, making the non-HDR Blu-ray version appear flat in comparison.


Sonically, Shazam!’s Dolby Atmos soundtrack matches the quality of the video, and is absolutely first-rate, with tons of immersion and full use of all channels throughout. The sound designers really understood what a powerful tool Atmos adds to the storytelling, and they don’t miss an opportunity to expand the mix into channels around the room, surrounding you in the action.


Early in the film, we have our first visit to the Rock of Eternity, with the sound of ice crystals forming and crackling overhead, and then the echoes and reverberations transforming your listening space into the cave. When the Seven Deadly Sin statues speak, their voices boom with deep, gravelly notes that seem to emanate from every corner of the room. Bass is deep and impactful when it 


should be, but dialogue always remains clear and intelligible. If you’ve been looking for a new film to show off your surround system, Shazam! doesn’t disappoint.


The Blu-ray-quality download included with the 4K HDR purchase at the Kaleidescape Store has a number of extra features and more than 30 deleted scenes, letting you take a deeper dive into Shazam’s universe.


If you’re looking for a family-friendly break from the dark trend favored by most superhero films lately, Shazam! might be exactly what your home theater has been wanting.

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at

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