The Goonies

The Goonies

I wish I could say something—anything—meaningful about The Goonies without referencing the numerous works it has inspired over the past 35 years. Truth be told, though, this 1985 Richard Donner classic, penned by Chris Columbus from a story idea by Steven Spielberg, is more a cultural touchstone than it is a work of cinema in its own right. The ripples it has left on the surface of the pop culture pond have by this point overshadowed the pebble itself.


Stranger Things, for example—for all its references to the films of Ridley Scott and John Carpenter and Stephen King—could easily be seen as an episodic riff on The Goonies with a gaggle of other pop-culture references piled on for good measure. 

To this day, 35 years after its debut, you can feel the echoes of The Goonies in everything from Ready Player One to Deadpool 2. Heck, even the last Star Wars movie made a ham-fisted and nonsensical homage to this beloved ’80s romp. (Although, to be fair, of the many cinematic sins committed by Episode IX, insulting the intelligence of Goonies fans while also clumsily attempting to tug at their heartstrings is far from the most egregious.)


I guess the point is, The Goonies wouldn’t still hold such sway over filmmakers and viewers alike if it didn’t have something going for it. But I’m just too close to it to evaluate the film objectively. I notice its flaws—the clumsiness of the climax, the laughable special effects in places, the ridiculousness of its very premise—and I see them as charming virtues.


My wife, on the other hand, had never seen the film before I downloaded the UHD/HDR remaster on Kaleidescape. What can I say? She was a military brat who spent her formative years in Europe. She missed out on much of American popular culture between the release of The 


This might not be the best 4K HDR makeover of an ’80s film ever, but it’s worth the upgrade to have a great-looking and -sounding version of this hugely influential kid-adventure classic.



The cinematography is a little too flat and soft to consistently take full advantage of UHD’s increased resolution and expanded color gamut, but there are some breathtaking shots in this transfer and HDR helps with things like lanterns & lightning.



The DTS-HD Master Audio 5.1 soundtrack is a big step up from earlier releases, with enhanced atmospheric effects and a bit more bottom end to support the action.

Empire Strikes Back and Tim Burton’s Batman. And catching her up on all of the ’80s nostalgia-fuel she missed is always a hit-or-miss proposition. She thought E.T. was “OK.” She didn’t think The Thing was scary at all. I hesitate to sit her down in front of The Last Starfighter or Flight of the Navigator for fear of her inevitable reaction. Divorce attorneys are expensive, y’all.


But much to my relief, she ate The Goonies up flaws and all, giggling at all the funny bits, clapping at the little victories, jumping at all the cheap scares, and cooing every time Sean Astin did something adorable (which is quite frequently). And I think its sway over her had a lot to do with the aspects of the film that just don’t age as the years go by: The excellent cast, the believable performances, and ultimately the heart of its very simple narrative. The Goonies is, when you get right down to it, a straightforward adventure tale—equal parts treasure hunt, dungeon crawl, and crime thriller. And that straightforward story gives it enough momentum to overcome things like the silliness of a few of its gags or the groan-worthiness of things like obviously rubber bats being flung on strings at the actors’ faces.


Of course, you don’t really need me to tell you any of the above. You likely either know what you think about The Goonies or you’re beyond caring. The question you really want answered is: Should you upgrade to UHD/HDR if you already own the film?


The simple answer: Yes, this one is worth the upgrade.


The not-so simple answer: I wouldn’t put this on my Top 10 list of 4K remasters. Hell, I wouldn’t even put it on my Top 10 list of 4K remasters of ’80s flicks. The cinematography is a little too flat and a bit too soft to consistently take full advantage of the increased resolution or expanded color gamut. That said, there are shots here and there that are simply breathtaking in this new transfer, and the high dynamic range does enhance things like flashing lightning and the glare of lanterns. What’s more, the middle passage of the movie—which takes place entirely underground—does benefit from a little more range at the lower end of the value scale. I only caught one or two scenes with uneven black levels. Aside from those, the gloomy-looking second act looks better than it ever has before.


The new DTS-HD Master Audio 5.1 soundtrack is also an appreciable step up, with enhanced atmospheric effects (especially during the thunderstorm near the beginning) and a bit more bottom end to support the action. As has been the case since the film’s debut, though, dialogue clarity is the weak spot in the sound mix, and there’s likely nothing that can be done about that,

since much of the dialogue was improvised and the actors talk all over each other near-constantly. Had Donner attempted to spackle over the roughly recorded dialogue with ADR back in the day, the results would have likely been a lip-sync disaster on par with the American kung fu movie craze of the 1970s.


So don’t go into this expecting a film that sounds like it was recorded yesterday, but do expect a minor upgrade in sound quality over the 10-year-old Blu-ray release.


That Blu-ray, by the way, is the source of all the bonus features included with this new 4K release, which is to say there’s not much here, and you can probably skip most of it. The seven-minutes’ worth of deleted scenes are cute and shed some light on the reference to an excised octopus attack mentioned in the final moments of the film. But practically everything here was best left on the cutting-room floor.


The only bonus goody that’s absolutely must-see is “Hidden Treasures: Video Commentaries from the Cast.” As the name implies, this is a commentary with the Goonies (along with Donner), recorded (if memory serves) for the DVD release of the film in 2001. What sets this one apart from most commentary tracks is that the

The Goonies

participants were filmed sitting together at a table watching the film projected in front of them, and we get to see much of their interaction by way of picture-in-picture popups.


Do I think The Goonies deserved a new retrospective documentary for its 35th anniversary? I absolutely do. As I said from the giddy-up, the movie still has far more influence on modern popular culture than most of its contemporaries, and a fresh look at its lasting relevance would have been nice. Maybe we can hold out hope for some new bonus features on its 40th or 50th anniversary.


But if you’re just here for the movie itself, I seriously doubt any future releases will look (or sound) better than The Goonies does here.

Dennis Burger

Dennis Burger is an avid Star Wars scholar, Tolkien fanatic, and Corvette enthusiast
who somehow also manages to find time for technological passions including high-
end audio, home automation, and video gaming. He lives in the armpit of 
Alabama with
his wife Bethany and their four-legged child Bruno, a 75-pound 
American Staffordshire
Terrier who thinks he’s a Pomeranian.

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