Kraftwerk: The Catalogue 3-D
Kraftwerk essentially invented electronic pop music in the 1970s. Their brilliantly original, distinctive musical and visual style has led to L.A. Weekly—among many others—calling them “the most influential pop band of all time.”
The Catalogue 3-D Blu-ray set offers abundant evidence, featuring live concerts from various locales of all eight “official” Kraftwerk albums. (Remaining original member Ralf Hütter and co-founder Florian Schneider view the earlier Kraftwerk 1, Kraftwerk 2 and Ralf and Florian albums as “archaeology.”) Which means all the hits are here—their international breakthrough “Autobahn,” “The Model,” “Computer Love,” “Tour de France,” and the hip-hop-germinating “Numbers” and “Trans Europe Express,” along with everything else plus “Planet of Visions.”
This four-disc set features 3D/2D-compatible video, Dolby Atmos/5.1/PCM stereo-compatible sound, and Headphone Surround 3D mixes (which can be listened to on standard headphones), and includes a 228-page book of images from the concerts.
The sound quality is astounding. Kraftwerk have always been sonic perfectionists, and The Catalogue 3-D is another technological step forward.
Since their electronic music doesn’t have to replicate any kind of sonic “reality,” Kraftwerk is free to place sounds anywhere, fixed in place and moving around the soundfield, morphing and shaping aural space to their will, from tightly focused to vastly expansive. Their use of echo and delay alone is masterful.
The dazzling variety of “synthetic, electronic sounds” (to quote “Techno Pop”) is reproduced with extraordinary clarity, dynamic range, and wide frequency response. The low-frequency synth sounds and bass drums are exceptionally powerful and articulate. You can hear the time Kraftwerk spent crafting these sounds. There is no crowd noise mixed in. This is simply state-of-the-art demonstration-quality sound.
I don’t have a Dolby Atmos system (I have 6.1 surround), but I heard previews of some tracks at an Atmos demo, and the added height dimension contributed to the sense of immersion. But those who don’t have Atmos won’t feel shortchanged. The Headphone Surround 3D mixes work well, sounding spacious without being exaggerated.
Kraftwerk’s retro-futuristic visuals and minimalist color palette are presented with stunning clarity, from the charming animations of Volkswagens and Mercedes whizzing down the autobahn to the stark abstractions of “The Man Machine” and Spacelab flying at you from Earth orbit (a particularly fantastic effect in 3D). The band is seen from time to time playing their keyboards, controllers, and computers, dressed in their future-man grid suits. (An included “Film” version presents the visuals only.)
Why would Kraftwerk bother doing another live album and why would they change (some would say tamper with) iconic versions of their songs? Well, they have always evolved and incorporated new sounds as new musical technologies become available, so the band’s performances now are different than even a few years ago. I suspect that Ralf Hütter and company wanted to capture the band using the latest audio and video technology to have an historic record of Kraftwerk live. (Sure, I’d love to hear an album of new material—but if this is where Kraftwerk pushes the Stop button, I’m OK with that.)
Seeing Kraftwerk live sometimes seems less like a rock concert than witnessing some kind of alien transmission from another galaxy. This Blu-ray set goes a long way toward conveying that experience.
Frank Doris is the chief cook & bottle washer for Frank Doris/Public Relations and works with a
number of audio & music industry clients. He’s a professional guitarist and a vinyl enthusiast with
multiple turntables and thousands of records.