If you’ve read my review of the original HD release of Todd Douglas Miller’s documentary film Apollo 11 from earlier this year, you may recall that it was a bit more of a rant than a proper critique. Not about the film, mind you. Apollo 11 still stands as one of the year’s best cinematic efforts, especially in the more straightforward, less editorial approach it takes in capturing this one monumental moment in history.
The rant was instead about the film’s home video release, which was originally HD only, with no mention of a UHD/HDR followup. As I said in that original review, this was doubly troubling because Apollo 11 is among a small handful of films released recently to actually be sourced from a 4K digital intermediate. In fact, its original film elements were scanned at
resolutions between 8K and 16K. Given that most modern films, especially Hollywood tentpoles, are finished in 2K digital intermediates and upsampled to 4K for cinematic and home video release, the lack of a UHD option for Apollo 11 was as infuriating as it was puzzling.
Thankfully, that mistake has been rectified. Apollo 11 is now available in UHD with HDR on most major video platforms, including disc and Kaleidescape, with the latter being my viewing platform of choice. I know I mentioned purchasing the film in HD via Vudu in my original review, but that purchase doesn’t offer any sort of upgrade path for UHD, the way Kaleidescape does.
At any rate, I did a lot of speculation in that first review about the sort of differences I thought UHD would make for this title. And having now viewed it, most of those predictions turned out to be true. UHD does, indeed, reveal a lot of detail that was obscured in the HD release. That makes sense given that the source of so much of this film’s visuals existed in the form of 65mm/70mm archival footage.
One of the biggest differences you see when comparing the
HD and UHD releases is in the textures of the Saturn V rocket. Ribbing in the first three stages of the rocket that dwindle to nothing in HD are clear and distinct in UHD. The little flag on the side of the rocket is also noticeably crisper, and the stars in its blue field stand out more as individual points of whiteness, rather than fuzzy variations in the value scale.
As predicted, the launch of Apollo 11 also massively benefits from HDR grading. The plume of exhaust that billows forth from the rocket shines with such stunning brightness that you almost—almost—want to squint.
One thing I didn’t predict, though—which ends up being my favorite aspect of this new HDR grade—is how much warmer and more lifelike the imagery is. In the standard dynamic range color grade of the HD version of the film, there’s an undeniable cooler, bluer cast to the colors that never really bothered me until I saw the warmer HDR version. Indeed, the HDR grade evokes the comforting warmth of the old Kodak stock on which the film was captured in a way the SDR grade simply doesn’t.
It’s true that the new UHD presentation does make the grain more pronounced in the middle passage of the film—where 65mm film stock gives way to 35mm and even 16mm footage. That honestly has more to do with the enhanced contrast of
this presentation than it does the extra resolution. HD is quite sufficient to capture all the nuances and detail of this lower-quality film. But the boost in contrast does mean that grain pops a little more starkly.
This does nothing to detract from the quality of the presentation, though, at least not for me. And even if you do find this lush and organic grain somewhat
distracting, I think you’ll agree it’s a small price to pay for the significantly crisper, more detailed, more faithful presentation of the first and third acts.
If you haven’t picked up Apollo 11 yet, congratulations—you get to enjoy your first viewing as it should have been presented to begin with. If you already bought the film in HD, I can’t recommend the upgrade to UHD highly enough. Thankfully, for Kaleidescape owners, that upgrade doesn’t mean purchasing the film all over again.
It is a shame Universal, the film’s home video distributor, has for whatever reason decided to hold back bonus features. The featurette included with the UHD Blu-ray release, which covers the discovery of the 65mm archival footage, is missing here—although it’s widely available on YouTube at this point (and is embedded above). And only Apple TV owners get access to an exclusive audio commentary. Then again, given how badly the studio fumbled the original home video release, it’s no real surprise that they’ve dropped the ball on making the bonus features widely available.
Don’t let that turn you off of the film, though. This is one that belongs in every movie collection, especially now that it’s available in UHD.
Dennis Burger is an avid Star Wars scholar, Tolkien fanatic, and Corvette enthusiast
who somehow also manages to find time for technological passions including high-
end audio, home automation, and video gaming. He lives in the armpit of Alabama with
his wife Bethany and their four-legged child Bruno, a 75-pound American Staffordshire
Terrier who thinks he’s a Pomeranian.