photo by Tom Pumford
The other day I had the opportunity to work on a job using a camera system I had only heard stories about—that is to say, I had never personally used it for my paid professional work. Needless to say I was more than a little excited, struggling to contain my inner fanboy, as I began the shoot. After about an hour behind the lens, something became increasingly clear, something I wasn’t expecting . . . I hated the camera. Oh, I loathed it. It threw me for a complete loop, for how could I, after all these years of yearning, not only be disappointed by this machine but actually be upset by it?
I’ve seen the same happen to AV enthusiasts time and time again. The reason often has to do with many of our opinions being formed by the opinions of others rather than being based on firsthand knowledge. It took me all of an hour to realize I would never recommend this product to another despite it winning countless Best Of awards and being the IT product to have in a given year. More shocking still was that when I quietly shared my displeasure with a few of my colleagues, they instantly rushed to the defense of . . . the product! As if my personal opinions (that is what we’re talking about here) were invalid, and it was me who had the problem—not the product!
When we self-identify with a hobby, product, or group, we take offense when that something is called out or criticized. For if there is something wrong with our choice in whatever, that must mean there is something wrong with us . . . right? Better to attack what threatens us rather than reason with it, even if this means not being able to reason with our very selves. It is this latter point that I find especially prevalent among AV enthusiasts—especially older diehards (or dare I say, blowhards).
I have on numerous occasions been in the presence of individuals who have five- and six-figure AV systems that others heap praise upon for their drool-worthiness, and yet know that these same individuals spend nearly zero time enjoying their setups. I know that if many had to do it all over again, they would likely never have purchased much of the gear they currently own, opting for something less intrusive and cumbersome. They stick with it because of this notion of clout.
I’ve watched people listen intently to something they clearly do not like and still buy it anyway because it must be them—the customer—who is missing something. That with time they will see the light so to speak. Why do we do this to ourselves? Why do we feel we are incapable of trusting our own judgement when it comes to AV equipment? Is the draw of an award, or the seemingly endless string of others who “believe,” that strong of a pull that we’re willing to lie to ourselves? Or is it because we build up so many products into “legend” that the mere idea they may be “mortal” is too much for us to take?
I don’t pretend to know the exact answers.Suffice to say that the phenomenon is very real and only growing stronger, as more and more people in this world are choosing to live vicariously through the actions and ideas of others. Don’t believe me? I recently produced a video entitled “Vinyl Sucks” for YouTube, and within three days it garnered over 100,000 views and over
1,500 negative comments—mostly directed at me on a personal level for my opinion. The funny thing about this being, I don’t think vinyl sucks, and in the video I say as much. I even explain that despite its shortcomings, it has great value to me and others. But I opened with a critical—albeit humorous—jab, and as a result I was roasted for it.
Why is there a right way and a wrong way to enjoy your favorite music and movies? If there is, who decides? Have you lied to yourself about equipment you’ve purchased in the past, or maybe even currently own?
Andrew Robinson is a photographer and videographer by trade, working on commercial
and branding projects all over the US. He has served as a managing editor and
freelance journalist in the AV space for nearly 20 years, writing technical articles,
product reviews, and guest speaking on behalf of several notable brands at functions
around the world.