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Gilmore's Sound Advice

A Tribeca Trendsetter

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ACHIEVING SERENITY

INSIDE THE ULTIMATE HOME ENTERTAINMENT SPACE

LUXURY MADE EASY

A Tribeca Trendsetter

The desire for a casual movie-watching space in this apartment’s main living area led to the creation of a high-performance hideaway theater

by Michael Gaughn
November 29, 2018

Ed Gilmore casually bringing some shots of a project he’d done in Tribeca up on his computer monitor was a major “a-ha” moment for me. The first shot showed a stylish, obviously comfortable living area that also served as a billiards room, dining room, and kitchen. The second showed the same room transformed into a home entertainment space a lot of people would die for. That, a completely intuitive part of me screamed, perfectly represents the new paradigm.

Others apparently agree with that conclusion because people just won’t leave Ed alone about the Tribeca space. Ironically, even he admits it’s not perfect—but it’s getting there, as the client invests more and more in turning what was initially a whim into a room that can blow a typical movie theater out of the water.

Having since had a chance to actually visit the space, and to shoot some video there, I recently circled back around with Ed to talk about all things Tribeca.

People seem to love that installation because it says that almost any room can now be transformed into a legitimate entertainment space.

I think what we did was to, in a minimally invasive way, create a home theater experience in a room that, if you looked at it from any angle, you would immediately say it couldn’t be done there. There was just no way.

Aesthetically, the room had already been designed before you came into the picture. How were you able to navigate those waters?

We just needed to be open and try to find really unique solutions that would both satisfy a high-end level of performance as well as maintain a certain aesthetic value the client wanted us to maintain, and be true to the bones of that room. I don’t think that’s any rare talent. The issue was that he had interviewed a lot of other AV guys who told him right off the bat, “No, we won’t do that.” And that wasn’t the answer he wanted to hear. So we were lucky enough to be able to convince him that we could do it, and it could be compelling.

Tribeca video | Alyssa Neece
photos & Sound Advice video | John Frattasi

“We needed to be open and try to find unique solutions that would both satisfy a high-end level of performance as well as maintain a certain aesthetic value the client wanted us to maintain, and be true to the bones of that room.”

—Ed Gilmore

a retractable screen, ceiling speakers, and a projector on a lift allow the apartment’s main living area to be transformed into a better-than-movie-theater entertainment space

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That communal area wasn’t supposed to be the main entertainment space, right?

Right. The den is the room where he really sits and watches most of his TV. That was the room he wanted to spend some money on. This other room was kind of an experiment for him.

But as he saw it implemented, immediately he thought, “I’m going to sink some more money into this room.” And that’s exactly what he did. That’s what he did with the Kaleidescape Strato, that’s what he did with the Steinway Lyngdorf, and what he’s about to do with projection, by upgrading the projector there as well.

Are people fascinated by that room because it’s a kind of outlier or because it represents a trend?

I think it’s a little bit of both. It’s tapping into a trend, that trend being that people aren’t interested in having dedicated rooms for specific purposes like a theater, or even a dedicated music room.

There’s also an aspirational aspect to it as well. It resonates with people because it’s well done. I mean, it’s a really beautiful space. And it’s well thought out. And that goes back to the developer, who did a really nice job on that building. The dimensions of the room are great, and it has this wonderful warm feeling to it without really needing much in terms of other types of interior design. 

But these particular clients do have taste, and they’ve been around the block a few times in terms of renovations. He is a serial renovator. And so their choice of artwork, their choice of furnishings—those little details that they have there are great. And I think that resonates with a lot of people, too. 

If luxury is really about details—about somebody caring enough to make sure every last thing is done right—Tribeca would seem to qualify.

I think you and I agree on this, right? Attention to detail is really what matters in a luxury space. People have asked me about what luxury is, and I typically say that it needs to be inspirational. But that doesn’t mean it really needs to be noticeable. It’s something that kind of unfolds. And by the time you realize what’s happening, you’re kind of taken by surprise by it. And it’s organic—it feels like it was always part of what was meant to be there. 

Michael Gaughn—The Absolute Sound, The Perfect Vision, Wideband, Stereo Review, Sound & Vision, The Rayva Roundtablemarketing, product design, some theater designs, a couple TV shows, some commercials, and now this.

about Gilmore’s Sound Advice

Since 1991, Ed Gilmore and Gilmore’s Sound Advice, Inc. have been designing, deploying, and servicing hundreds of integrated systems by strictly adhering to a word-of-mouth recommendation policy. Typical systems consist of audio & video distribution, home theater, lighting & shading systems, enterprise-level network/WiFi & telephony, along with HVAC & security systems integration. In 2016, Sound Advice created one of the most unique showroom & event spaces in New York City. 

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A Garden of Immersive Delights

Ed Gilmore

A Garden of Immersive Delights

ALSO BY KIRSTEN NELSON

click on the images to enlarge

the Sound Advice space features a diverse collection of digital artwork, shown on Planar video displays and other media

Ed Gilmore’s midtown Manhattan showroom offers a both thrilling and soothing escape for the senses 

by Kirsten Nelson
April 7, 2022

Certain spaces are more memorable because of what they make you forget. Outside, there might be a jumble of noise and visual clutter. But once you step inside, it’s all soft lighting, curated playlists, and video imagery so subtly stunning, it can be a soothing backdrop or a foreground showstopper, depending on the intention. 

That’s how it feels to walk into one of Manhattan’s unforgettable high-end residential-technology hideaways, Gilmore’s Sound Advice. As I stepped into the sensorially refined environment envisioned and built by Ed Gilmore and his team of designers and manufacturer partners, I forgot my crazy commute and instantly remembered why the showroom is the scene of so much great conversation and innovation.

I was there to see a truly exotic specimen in the landscape of residential tech—the finest grade of pixel-perfect Planar LED video wall installed anywhere outside the factory at that exact moment. But there will be more released into the wild soon, especially with the rapid evolution of the trend I was also there to discuss: Video walls and large-scale video surfaces of every kind are moving into homes. 

And it quickly made sense why this is happening. Casually strolling into the home theater room with Gilmore, I immediately felt the mood boost that only the shiniest, most amazing technology can provide. Glowing at only 30% of its brightness capacity, and shyly only displaying a 4K content stream when it could of course handle 8K without drama, the video wall was everything that defines luxury. It’s extremely high-performance, but it’s also extremely rare.  

“It’s a unique type of experience,” Gilmore affirmed, and definitely one that is a generation ahead in terms of technology—and maybe if you want to be crass, also in terms of budget. Sure, it’s out of reach for most. “But for those who can, it’s here now.” 

No motion artifacts to be detected, and “it’s completely impervious to ambient light,” Gilmore pointed out. “It’s non-reflective, unlike flat panels.” In short, you could put this anywhere. Which is what NFT collectors, gamers, sports fans, movie buffs, and even audiophiles (yes, if you like live music documentaries or you’re considering hosting livestreamed concerts in your home, potentially with a Steinway Spirio piano accompanying the scene, talk to Gilmore). 

But this wasn’t a tech demo, this was a conversation in a beautiful room that happened to have a large direct-view LED wall in it, along with some cozy furniture and the perfect glow of carefully calibrated lighting. Also there was a LaserDisc of Pulp Fiction that caught my eye, and a copy of E.B. White’s Here Is New York on the table next to me, which I promptly picked up and obsessed over.

Clearly this was a room designed for people with taste. So we settled in for a fireside chat warmed by the glow of this new technology—which really did put out a little bit of heat if you got close to it, as Gilmore pointed out. Be sure to think about thermal management, he said, not to mention energy management: “There are three 20-amp circuits feeding this thing,” he noted with a wry grin.

At first, we did talk about all of the excitement around the display of massive and/or complex digital artworks on expansive architectural surfaces. Gilmore is installing a couple of those for a collector—one of the displays will be mounted on the ceiling, in fact. And just outside the room we were in, a couple of the other Planar displays in the space were rotating through artistic imagery in a variety of configurations. Digital artwork really is a thing now, and not just as a means of hiding the flat-panel display while it’s in “off” mode. 

But then we got into the good stuff around all of that artwork. The home is now a digital canvas, expressing ideas and reflecting moods through curated blends of sound, video, and lighting—particularly human-centric lighting, which of course we had to talk about as the ultimate “wellness” option for homes. These are the emotional reasons people are looking for something new at home—to be comforted, uplifted, and also dazzled by the immersive possibilities of well-designed technology-enhanced spaces. 

Gilmore talked about the delicate balance his designers and engineers have to strike in creating a home that not only looks good but makes you feel good. “We harness technology to its ultimate expression to provide great experiences for clients,” Gilmore noted. “You can’t commoditize that.” That’s because real human experience has always been the core of residential technology design. And specialists are starting to tap into new ways that the senses can be engaged (or soothed) by technology, to thrilling effect. 

“I’ve never been more excited about our industry than right now—there’s so much potential,” Gilmore said. Because as he knows well, you have to be both an artist and an engineer to make a home resonate with real feeling. 

Kirsten Nelson is a Brooklyn-based writer, speaker, event content producer, and podcast host who writes frequently for technology brands, integration firms, and experience design agencies. She was the editor of SCN magazine, and before that, co-launched Residential Systems. Kirsten is also a co-founder, editor, and writerly salon host of CreativeStack, a newsletter for the experience design community. 

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a next-generation 136-inch Planar video wall is the center of attention in Sound Advice’s home theater room

showroom photos & video |
John Frattasi, Gusto Multimedia

A Garden of Immersive Delights

Ed Gilmore

“Digital artwork really is a thing now, and not just as a means of hiding the flat-panel display while it’s in ‘off’ mode.”

human-centric lighting transforms the feel of the showroom in the Steinway & Sons’ factory in Astoria, Queens

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