I Lost My Body Tag

I Lost My Body

I Lost My Body

I hesitate to disparage Jérémy Clapin’s inventive animated film I Lost My Body, if only because I want animators to take more risks of exactly this sort, and I want Netflix to continue to embrace full-length animated features of its ilk. There’s so much to appreciate here, so much to root for, so much to celebrate. And yet, when I step back and reflect on the film as a whole, on its own terms, I Lost My Body just doesn’t quite work.


The story follows a severed hand that escapes from some sort of medical waste lab and embarks on a macabre quest to reunite with the rest of its body. Through flashbacks or time shifts or the magic of movie editing, we also learn the sweet-yet-

creepy story of the young man who lost his appendage and how he lost it.


The problem, ultimately, is that these two converging storylines differ so drastically in tone that it’s all a bit off-putting. It’s as if you took the screenplays for Le fabuleux destin d’Amélie Poulain (co-written by Guillaume Laurant, who also wrote the book on which this film is based) and David Cronenberg’s adaptation of Naked Lunch, shuffled them together like a deck of playing cards, and filmed the results. What’s more, the story’s themes about determinism and embracing the unknown are so blatantly telegraphed by exposition that there really isn’t anything to figure out for yourself.


With all that said, the storyline that focuses on Naoufel, the lost body at the heart of the narrative, is at times worth the ride, especially in his delightful first meeting with the object of his obsession, a young woman named Gabrielle, who exists at first only as a disembodied voice on the other side of an intercom (and yes, again, there are metaphors here, but none very deep).

If you’re a fan of animation, and longing for something out of the ordinary, I Lost My Body does give you a lot to chew on. Its style is simply stunning—an artful mix of hand-drawn 2D and rendered 3D that evokes in some ways the works of Jean Giraud (aka Moebius) and the Hernandez brothers (of Love and Rockets fame), but really deserves to be recognized as its own thing.


Unfortunately, though, Netflix does that style no favors by presenting the film in 1080p HD. Not only do the fine lines of the animation sometimes get a little aliased as a result of the lack of resolution, but the limited color gamut leads to some egregious banding that could have been smoothed over by simply delivering the film in an HDR container. Honestly, it looks fine enough on a 55-inch TV from across the room, but blow the image up to cinematic proportions and it doesn’t stand up to 

the scrutiny. So maybe skip this one in your home cinema or media room and check it out a more casual AV setup.


That might mean missing out on some of the nuances of the fantastic 5.1 mix, which Netflix presents both in the original French, as well as an English dub. I definitely recommend the former, by the way, even if you hate 

subtitles as a rule. Jarring as the film’s mash-up of gruesome horror and awkward love story may be, the cadence and musicality of the original French do spackle the cracks a bit. Viewing I Lost My Body a second time through in English, I found the disconnect between the bitter and the sweet to be even starker.


And ultimately, it’s that disconnect—that clash of styles and tones and moods and even genres—that keeps me from truly enjoying I Lost My Body. Every time we’re thrust back and forth between the gangly sacchariferousness of Naoufel’s unrequited love story to the grotesque obscenity of his hand’s journey—either of which would have worked well on its own—I found myself yanked right out of the experience. I still appreciate it, to be sure. I applaud the risks taken. But when you get right down to, the juvenile substance of the film never quite lives up to its innovative style. And what substance there is (in terms of themes and deeper meaning about free will and fate) was already handled with more maturity and less pretentiousness by the last six seasons or so of Adventure Time.

Dennis Burger

Dennis Burger is an avid Star Wars scholar, Tolkien fanatic, and Corvette enthusiast
who somehow also manages to find time for technological passions including high-
end audio, home automation, and video gaming. He lives in the armpit of 
Alabama with
his wife Bethany and their four-legged child Bruno, a 75-pound 
American Staffordshire
Terrier who thinks he’s a Pomeranian.

Reviews: Oscar-Nominated Films

Cineluxe has looked at most of the movies nominated for the major Oscar categories, so
we thought we’d make it easier to get up to speed on this year’s contenders by gathering
all the 
reviews in one place. You can click on the movie titles below to go to the original
post. We’ll be covering additional Oscar-nominated films as they become available for
digital release.


Picture, Director, Actor, Adapted Screenplay
Cinematography, Original Score, Film Editing
Sound Editing, Sound Mixing, Costume Design
Makeup and Hairstyling

Once Upon a Time in Hollywood

Picture, Director, Actor, Supporting Actor
Original Screenplay, Cinematography, Sound Editing
Sound Mixing, Costume Design, Production Design

Jojo Rabbit

Picture, Supporting Actress, Adapted Screenplay
Film Editing, Production Design, Costume Design

Ford v Ferrari

Picture, Film Editing, Sound Editing, Sound Mixing

The Two Popes

Actor, Supporting Actor, Adapted Screenplay

Knives Out

Original Screenplay


Animated Feature Film

Missing Link

Animated Feature Film

Avengers: Endgame

Visual Effects

Ad Astra

Sound Mixing


International Feature Film, Documentary Feature

The Irishman

Picture, Director, Supporting Actor
Adapted Screenplay, Cinematography
Film Editing, Costume Design, Production Design
Visual Effects


Picture, International Feature Film, Director
Original Screenplay, Film Editing, Production Design

Marriage Story

Picture, Actor, Actress, Supporting Actress
Original Screenplay, Original Score


Actress, Makeup and Hairstyling

A Beautiful Day in the Neighborhood

Supporting Actor

Toy Story 4

Animated Feature Film, Original Song

I Lost My Body

Animated Feature Film

How to Train Your Dragon 3

Animated Feature Film

The Lion King (2019)

Visual Effects

The Edge of Democracy

Documentary Feature

American Factory

Documentary Feature