I’m a pretty big sucker for military thrillers. You make a movie involving submarines, fighter jets, Navy SEALs, Delta Force, or something tied to Tom Clancy, I’m 100% gonna be down to watch. Another of the military sub-genres I’m a sucker for is anything involving the US Secret Service.
Years ago, while working as a golf professional at a private country club in the Bay Area, I got a chance to watch the Secret Service in action as our club hosted then-president Clinton for a round of golf. His single foursome required a total of 17 golf carts, including the forward and aft security details featuring guys riding around with giant binoculars and touting large unzipped black bags holding shoulder-launched anti-aircraft missiles, a colonel carrying the “football” with the nuclear launch
codes, and the president’s personal doctor with a chilled supply of medical equipment. (There were also black-clad Spec Ops assaulters who disappeared up into the trees, snipers on overwatch at the top of the country club, two presidential limos circling the streets bordering the course to shadow the president’s position, helicopters sweeping over the course, and even fighter jets that occasionally flew over! How much that single round of golf cost tax payers I can only imagine.)
I volunteered to take box lunches out to all of the groups, and as I was driving up to the security detail tasked to the president’s group, I noticed that the agent in the passenger
seat very nonchalantly crossed his leg and slipped his right hand down to his right thigh. And there was his pistol, perfectly aimed at me and tracking me the entire way as I pulled up and got out to hand over the lunches. Rather than being scared, I thought it was so cool how subtly professional and dialed-in the guy was, covering me the entire time, but being so discreet about it. And not everyone can say that they’ve had a Secret Service agent point a gun at them.
So, after that, I’ve had a special place in my heart for the professionalism and thoroughness of the Secret Service detail and love movies that show them in action. (In the Line of Fire is a real favorite!)
One of the more exciting film series in this genre has been the Has Fallen trilogy starring Gerard Butler as former US Army Ranger turned US Secret Service agent, Mike Banning. Starting with Olympus Has Fallen in 2013, where Butler had to retake the White House and save President Benjamin Asher (Aaron Eckhart) after he was captured by a North Korean-led terrorist group, followed by London Has Fallen in 2016, where Banning had to transport Asher through the streets of London after Marine One is shot down and seemingly everyone in the city has become a terrorist hellbent on killing the President, we now get the third in Angel Has Fallen.
Noticeably different in this film is the replacement of Eckhart’s Asher as president, and if there were any overt references to Asher in Angel, I missed them. But, as five years have passed since the end of London, it makes sense that Asher has moved on from the office and political life. He is replaced with some semblance of continuity by Allan Trumbull (Morgan Freeman), who has steadily risen in the government ranks, having served as Speaker of the House in Olympus, Vice President in London, and finally getting the presidential nod here in Angel.
Bannon is still the principal agent on the presidential detail, though his body and mind are a bit worse for wear after all the years of active service. But he once again finds himself in the middle of things, after an assassination attempt leaves Trumbull in a coma, and all of the evidence points to Bannon as the mastermind behind the attempt.
Bannon is forced on the run, needing to evade capture from both the FBI (led by Jada Pinkett Smith as Agent Helen Thompson) and the Secret Service while also trying to track down those responsible for the attempt on Trumbull’s life and insure they aren’t successful in another attempt. Along the way, Bannon enlists the help of his estranged and off-the-grid father Clay (Nick Nolte).
Angel belongs to that increasingly common group of movies that has a real divide between critics and fans, with critics giving it only 39% on Rotten Tomatoes, and audiences giving it a 93%. While not the strongest movie of the trilogy—Olympus holds that title—it features a steady stream of action, with plenty of explosions, gunfire, and car chases designed to give fans of the series what they want.
Shot in ArriRaw at 3.4K, Angel is taken from a true 4K digital intermediate and generally looks terrific. Edges are razor sharp, and closeups reveal tons of detail. In fact, perhaps a bit too much detail for the likes of Butler and Freeman, whose faces show lots of weather and wear, while shots of Nolte clearly show every crazy stray hair on his head and in his beard. Even things like the small American flag pin on Trumbull’s lapel clearly show the individual red and white stripes of the flag, and you can also see the thread and stitching detail in clothing. Compared to the Blu-ray version (included with the 4K purchase
from Kaleidescape), there is noticeably more sharpness and detail, especially in closeups.
There are quite a few night or very dark interior scenes, and blacks are generally deep and clean. There is a bit of digital noise in some of the scenes when Bannon is being transported by the FBI, but these are shot in torturously low light, and really are more a testament to how far digital capture has come rather than being a drawback by revealing a bit of noise. Most night/dark scenes look terrific, such as the night shots of DC, which look gorgeous, with the city beautifully lit in full HDR glory.
HDR is used nicely to enhance the image throughout. During the opening, sunlight streams through openings in a building, illuminating its dark interior with bright shafts of light. Car tail lights, police lights, and dashboard instruments all have tons of pop, courtesy of HDR.
Sonically, Angel has a lot going on thanks to a very active and immersive Dolby Atmos sound mix that kicks off almost from the opening frame. The sound mixers seemed to use every opportunity to put appropriate sounds overhead, such as helicopters flying and hovering, or a swarm of drones zipping around the ceiling. There’s a near constant bit of atmospheric audio filling the speakers, like radio
chatter and off-screen announcements, and gunshot echoes and reports. Equally important to the quality of the special effects is the ability to clearly understand dialogue and what is being said, and Angel has no problems in this regard.
My only real complaint with the audio is that bass seemed to be a bit anemic. There were numerous big explosions throughout that never seemed to really push the LFE channel. None of the big moments delivered the kinds of pants-fluttering bass levels you’d expect from a big action film, and it was a little disappointing that Angel didn’t have some more low-end impact to accompany gunshots and detonations.
Fans of the Fallen series will be pleased to hear that series producer Alan Siegel recently announced plans for a fourth, fifth, and sixth film, meaning we haven’t seen the end of Bannon’s days on the detail.
Angel Has Fallen is available for download now from the Kaleidescape Store, two weeks ahead of its physical-media release on November 26.
Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at
@SciaccaTweets and at johnsciacca.com.