speaker systems Tag

A Guide to Luxury Speaker Systems

What is a Luxury Entertainment System?

Once you’ve decided what type of luxury home entertainment system best suits your needs and decided whether you want to go with a TV or a projector and screen, you should next think about what kind of speaker system you’d like to have. In Part Three of Cineluxe Basics, we’ll guide you through some of the options, and some of the things you need to think about when picking out your sound system.

 

This is arguably a more important decision than what type of video display to go with, if only because you’ll probably be living with your new speaker system for way longer. Unlike TVs, projectors, and indeed even electronics—which often become

outdated after a few years due to the rise of new audio/video standards—a good speaker system can perform at its best for decades to come, with no updates needed.

 

That’s not to say that there have been no recent advancements in speaker technology, though. As mentioned in “What is a Luxury Entertainment System?” perhaps the biggest change is that hidden architectural speakers—those designed to be installed in your walls or ceiling and painted to match the environment—now boast levels of performance that were unheard of just a decade ago.

 

Take GoldenEar Technology’s Invisa Signature Point Source speakers, for example. These discrete in-walls deliver much the same performance as the company’s lauded in-room tower speakers, just without the big, black, monolithic design. GoldenEar also makes some very nice, practically invisible in-ceiling speakers, so you could build a nearly complete Atmos surround sound speaker system without ever seeing a single box in the room with you. Other companies known for producing high-performance architectural speakers include MartinLogan, Origin Acoustics, PSB, RBH, Triad, and Wisdom Audio.

 

I say “nearly complete” because in addition to five or seven ear-level speakers (depending on your preferences and the geometry of your room) and two, four, or six overhead speakers (if you want to do Atmos and DTS:X), you’ll also need a subwoofer or four. And while most of these bass-makers are big, unsightly boxes, you do have some options for hidden subs, as well.

 

James Loudspeaker makes a diverse line of hidden subs that come in all shapes and sizes, from in-wall options designed for installation in a standard stud bay to larger boxed subwoofers that can be mounted in the attic or in a cabinet, then vented out through a grille that looks like a 

traditional HVAC vent. Origin Acoustics also offers subwoofers similar to the latter, but with vents that open up into a port that looks virtually identical to can ceiling lights.

 

Chances are good that you’ll want to go with a hidden subwoofer of this sort even if you opt for in-room speakers. Which, by the way, doesn’t mean you’ve completely given up on your décor. These days, any number of luxury speaker manufacturers 

offer models that look right at home in even the chicest of interiors. Focal’s Kanta line, just to name one example, comes in a wide array of finishes running the gamut from Gauloise Blue to Warm Taupe. Simply put, these gorgeous cabinets are as much of a statement as they are a high-performance sound source.

 

If Italian design is more to your liking, check out Sonus Faber’s Homage Tradition collection, a deliciously retro lineup that borrows much of its handcrafted design from 

A Guide to Luxury Speaker Systems

Bang & Olufsen’s Beolab 18 speakers

the art of violin making. Or the company’s newer Sonetto Collection, which draws heavy inspiration from the shape of the lute for its distinctive styling.

 

Depending on your aesthetic taste, you may also find what you’re looking for in the style-focused designs of luxury manufacturers like Steinway Lyngdorf, Meridian, and Bang & Olufsen.

 

No matter how large the room or beautiful the speakers, though, few people would want to have an Atmos system made up of nothing but massive floorstanding models. One common solution is to have tower speakers flanking your TV or projection screen (sometimes accompanied by a matching, wall-mounted center channel speaker) and then employ high-performance architectural speakers for the surround channels.

 

These recommendations shouldn’t be viewed as the last word, by the way—merely a starting point in your exploration of what’s available at the moment in terms of ultimate-performance speakers that will either accentuate or recede into the background of your carefully crafted décor. The point is, you don’t have to sacrifice on style to put together a home cinema sound system that will positively embarrass your local cineplex. 

Dennis Burger

Dennis Burger is an avid Star Wars scholar, Tolkien fanatic, and Corvette enthusiast
who somehow also manages to find time for technological passions including high-
end audio, home automation, and video gaming. He lives in the armpit of 
Alabama with
his wife Bethany and their four-legged child Bruno, a 75-pound 
American Staffordshire
Terrier who thinks he’s a Pomeranian.

Small Room–Big Sound

Generally, when you think of a media room or home theater, it conjures up images of a fairly large space. Lots of seating, huge screen, drapes, columns, etc. And I would say most of the media/theater rooms I have worked in over the years are in the 18 x 25-foot ballpark, usually with 10-foot ceilings. Sometimes the areas are much bigger.

 

But do you need a large room to enjoy a luxury experience?

 

A few months ago, I reviewed a dARTS (Digital Audio Reference Theater System) audio system. Generally, I review gear in my living room, which is a fairly large space that opens up to both a kitchen and a nook area. With the room’s layout, I sit about 13 feet from my front channels and screen, and about 15 feet from my side surround and rear surround speakers.

Small Room--Big Sound

dARTS 535 Series digital surround theater system

But, due to the style and design of the system I was reviewing, installing it in my living room wasn’t practical. Instead, I installed the 5.2.2-channel speakers in a new bedroom we had built onto our home a couple of years ago. The room measures roughly 13 x 15 feet and has 9-foot ceilings—in other words, a bedroom size you would find in just about any home.

 

When I first started listening to the system, I was amazed at how much more detailed things sounded. Not that dialogue was suddenly clearer or that music notes were sharper, but how I was just constantly more aware of and noticing those distinct little sounds and Foley effects that are often buried in the background of a movie’s soundtrack. Small creaks and subtle ambient cues like leaves rustling, footsteps walking around in the distance, rain pattering outside. Watching It on this system—a movie with an absolutely fantastic and immersive Dolby Atmos mix—was absolutely terrifying, especially the scenes within the sewer and in the house on Neibolt Street.

 

And due to how the overhead speakers were installed (using a portable lighting rig re-purposed as an in-ceiling speaker holder to avoid cutting 10-inch holes in my new ceiling), they were 8 feet off the floor, or about 4 feet above my seated listening height. Compared with the “reference” system in my living room—which has vaulted ceilings spanning up to about 15 feet at the peak, with the four height speakers about 10 feet above my seated position—this produced overhead audio that was far more noticeable and localizable. When something was meant to sound as if it was happening above you, it happened right above you. Being in the center of this 5.2.2 speaker sphere produced incredible audio pans—front to back, side to side, top to bottom, sound just traveled with perfect tracking all around and over me.

 

Because there is less air to “energize” in a small room, you can use smaller speakers and still hit high sound-pressure levels, which helps from both a design and budget standpoint. Instead of one or two massive subwoofers, four small subs will deliver greater and smoother bass throughout. And because you’re physically closer to the speakers, you can generally listen at lower volume levels and still get a reference experience. I wasn’t blasting the system to feel bass impact waves or to be aware of the overhead and surround channels. In fact, I often listened at 10 to 15 dB lower than usual.

 

The smaller space also meant there were far fewer sonic distractions from other parts of the house—you know, the background-of-life sounds that every home has. Those hums, clicks, whirs, and other environmental noises all must be overcome in order to hear the soft sounds within a film or audio recording. Lower the background noise, and the sounds you want to hear are much easier to pick out.

 

In a way, this intimate, small-room experience was like listening to a pair of really nice headphones . . . but better! For one, I could share it with others. Two, headphones can’t deliver the same full-body bass impact of a great subwoofer. And three,

where headphones struggle to produce and place actual surround sound, this system did that in spades.

 

And guess what else? Because I was sitting much closer to my display, the 60-inch screen seemed far more cinematic.

Small Room--Big Sound

To be fair, some credit certainly needs to go to the fantastic sounding dARTS audio system and Marantz AV8802A processor (shown above). This combination would retail for just north of $20,000, and dARTS’ unique implementation of Audyssey room correction is a fair measure of the system performance’s “secret sauce.” Had I just tossed some entry-level gear together, the experience surely wouldn’t have been as impressive. (You can read my review here.)

 

Not only does every home have a small space or two that could be the perfect media room candidate, it might just turn out to deliver the best experience in the house. (For more on making the most out of a small space, read the “So You Think Your Room’s Bad” posts from Mike Gaughn & Dennis Burger.)

John Sciacca

Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as
 Residential Systems and Sound & Vision. Follow him on Twitter at

@SciaccaTweets and at johnsciacca.com.