In the world of collectible music, the venerable boxed set has proven to be a highly prized and desired artifact of home entertainment. The ultimate statement for many an artist, these sets are a chance to present their music in a definitive light.
Boxed sets are often limited editions that can accrue in value. Exploring the packaging can be an enjoyable experience complementary to the music inside. Many sets include memorabilia, such as hard-cover coffeetable books chock full of pictures and artist details. Some sets have bonuses like buttons, marbles, board games, and other fun merchandise the artists have created for their fans.
They seem to be more popular than ever, too—over the past 10 years, not a Record Store Day or Black Friday goes by without a special edition making some headlines, from The Beatles and Pink Floyd to Charlie Parker and Thelonious Monk. Heck, there is even a website dedicated to new boxed-set releases. And there seem to be more and more sets released every year.‘
But you might be surprised to learn that the boxed-set concept isn’t new. I’ve seen special-edition sets dating back to the early days of recorded music, especially with the advent of multi-disc album sets on 78 RPM records in the 1940s, and have encountered vintage multi-disc deluxe editions for Glenn Miller and Bing Crosby with cloth-covered padded covers and such.
Just last year, Craft Recordings (a deluxe imprint from Concord Music, which owns a multitude of labels including Fantasy Records and Prestige Records) put out lovely (and expensive) sets celebrating Miles Davis and John Coltrane that mimic the 1950s design aesthetic. (Click here for my review of the Coltrane set.) They sell for $200 or more new!
I’ll show you some of my faves, including one in Part 2 that I have yet to get my hands on!
Les Paul, The New Sound
I only learned of this set of 78 RPM discs last year when I discovered a nearly mint-condition copy at a flea market. For those of you not in the know, I am a very deep fan of Les Paul, dating back to the 7th grade or so when I discovered one of his
albums at a garage sale. His solo in “Bye Bye Blues” just knocked me out. And thus began a quest that continued into college in the form of a Jazz History term paper that ultimately led to my freelance-writing side career!
I’ve written about Les in the past and even been to his house once. (He was nice enough to autograph the issue of DISCoveries, shown at right, containing my interview with him.) I’m a deep collector, so finding this set I never knew existed was remarkable. That it was in pristine condition was miraculous given the fragility of shellac 78s. I knew some of these songs came out as individual 78s in 1948 and on a 10-inch LP in 1950. But this boxed set of 78s is something I’ve not seen or read about anywhere. No one has posted a copy on the record collectors’ site Discogs. (I will probably post my pix there for posterity someday.) I did find one at this site, but it doesn’t seem to be for sale.
What is the value of a set like this? To me, it’s invaluable. To a record store, it’s
probably not worth a lot, but I don’t care. I’m not selling it! The discs include the first experiments Les released in his creation of multitrack recording, using his groundbreaking sound-on-sound technique recording direct to disc at 78 RPM! In essence, everything most of us love about high fidelity pre-recorded music today has its roots in these recordings by Les Paul.
This gorgeous limited-edition boxed set was a significant and different animal than the similarly presented stereo Beatles boxed set. All the recordings were made direct from the original mono master tapes in an all-analog mastering process similar to how the records were made in the 1960s. The packaging and labels are period-accurate, which is fantastic for most of us
who have never been able to get our hands on the rare original UK editions. Even if you could find them, chances are they wouldn’t sound as good since they were probably played to death on primitive equipment.
Why is this so much better than the stereo? It turns out that the earlier boxed set was mastered from 44.1 kHz, 24-bit digital files (a few steps above CD
quality). Probably embarrassed, the label pulled out all the stops for the (in some ways more important) mono box. It is a gorgeous and fantastic-sounding collection.
The set wasn’t cheap when it came out (at about $400 or so) and is now selling for a minimum of more than twice that, and upwards of three times the price on eBay! A limited edition, it’s doubtful they will ever produce another set quite like this one again, so that makes this collection of all the Beatle records up through The White Album extra special.
You can read my three-part review of the set by clicking here, and here, and here. If you’re in a Beatles mode, the Sgt. Pepper boxed set is pretty wonderful too, albeit a different focus (more about Blu-ray Discs and such but still great). Click here, here, and here to read my three-part review of that set!
In Part 2, I’ll walk you through some extraordinary boxed sets devoted to works by Neil Young, Pete Townshend, and Fred Astaire.
Mark Smotroff breathes music 24/7. His collection includes some 10,000 LPs, thousands of
CDs & downloads, and many hundreds of Blu-ray and DVD Audio discs. Professionally, Mark has
provided Marketing Communications services to the likes of DTS, Sony, Sega, Sharp, and AT&T.
He is also a musician, songwriter & producer, and has written about music professionally for
publications including Mix, Sound+Vision, and AudiophileReview. When does he sleep?