Despite its occasionally lavish cinematography and stellar supporting cast, The Two Popes is first and foremost a dialogue-driven drama that is not overly dramatic.
It’s an impressive feat, considering how the scandals that ultimately drove Pope Benedict XVI to even consider becoming the first pontiff in 598 years to resign continue to make national news. His explanation of “lack of strength of mind and body” combined with the continuing stream of allegations of pedophilia committed by clergy and hidden by the church were widely
seen as contributing to his decision.
As portrayed by Anthony Hopkins, Pope Benedict is a frail old man dead-set in his belief that followers must adhere to a strictly conservative doctrine, whereas Pope Francis, his ultimate successor, who is brilliantly played by Jonathan Pryce, is a reformer open to changes in both practice and perception of a pontiff’s day-to-day responsibilities and role on the international stage.
Without giving away the crux of the content, it’s widely known that as he eventually moved closer to retirement, Pope Benedict XVI summoned Cardinal Jorge Mario
Bergoglio (the future Pope Francis) to meet with him at his summer home in the Lazio region of Italy. Bergoglio, who himself was considering a move away from his position as cardinal of Buenos Aires, spent many hours with the pope discussing their respective pasts and paths, views on a changing world, and of course modern-day news stories about indiscretions in the church.
These conversations are at the heart of The Two Popes. More riveting than any action sequence I’ve seen over the past year, their meetings slowly build in intensity as the two men come to terms with their beliefs, differences, histories, and plans to move on from their individual roles.
The Two Popes is a singularly focused film where, as in My Dinner with Andre and Killing Them Softly, backgrounds and supporting actors play a (very) distant second to the two leads’ conversations.
As a test to see if my first impressions held firm, I listened to the soundtrack while riding the subway on route to a meeting. Sure enough, the dialogue kept a grip on my interest, even as I travelled with a sea of commuters during the Brooklyn-to-Manhattan morning rush.
That said, The Two Popes is no slouch as a visual
treat. From breathtaking scenes of the pontiff’s summer retreat in Lazio to modern-day footage of the Vatican and city of Rome, viewers with reasonably substantial 4K displays will be drawn in by the intense beauty of the region. The visuals alone would serve as an effective promotion that could easily have been sponsored by The Italian National Tourist Board.
Written by Anthony McCarten and directed by Fernando Meirelles, The Two Popes is more than anything an enduring vehicle for its two stars—in particular, Jonathan Pryce, who instills a believable vulnerability into his portrayal of Pope Francis. Sensitive, modest, and filled with self-doubt that teeters on self-loathing, Pryce’s pontiff is as human as his most humble followers, especially when recounting disturbing episodes from his past. Meirelles deftly switches to flashbacks that convey an old-movie sensibility in terms of both noirish presentation and the overall sense of morality in the scene.
Sonically, The Two Popes lets the story do the talking, with a subtle mix that made me feel as if I was sitting with the two men. Effects are sparingly placed in the surround channels, but, as I learned from my experience simply listening to the film while otherwise in motion, The Two Popes doesn’t require a modern-day surround system. On the contrary, the direct, emotionally honest simplicity of the story would likely be just as enjoyable if viewed only with the aid a budget soundbar. The noise of the crowd, calming sounds of nature, and raucous crowds are all aided by a high-end home theater, but they aren’t reliant upon it. The dialogue is the true star of this film, and it is what pulled me back for multiple viewings over several weeks.
Longtime consumer and professional technology specialist Adam Sohmer is president
and owner of Sohmer Associates, LLC, a Brooklyn, NY-based public relations & marketing
communications boutique agency catering to leading audio, video, and wireless brands.
Even longer than his career is his obsession with music and movies, and the gear used to
bring them to life. Find him on Facebook, Twitter, and Instagram.