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Zenimation

Review: Zenimation

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review | Zenimation

Disney mines its archives yet one more time, this time to provides its take on mindfulness

by John Sciacca

We’re big fans of sound design here at Cineluxe, as a good audio mix reproduced on a well-designed home theater draws you into the fantasy world and helps you appreciate films on a deeper level. But the work that goes into crafting the many layers of a rich, detailed, and organic sound mix—especially the often intricate and minute sounds created by the Foley artists—are often buried beneath the score, dialogue, or other effects in a scene.

The new short series Zenimation is such a master class in audio appreciation that it was worth highlighting. Currently available only on Disney+, the show description says, “Unplug, relax, and refresh your senses for a moment of mindfulness with Walt Disney Animation Studio’s Zenimation—an animated soundscape experience. These iconic scenes become an aural experience like no other with the sounds of ocean waves, an icy forest and soaring flight. Zenimation pays tribute to both the visual and sound artists who have created Walt Disney Animation Studios’ legacy of films.” Zenimation requires an incredibly minimal time commitment, with the entire series taking less than an hour to watch.

Zenimation is presented in HD with a 5.1-channel Dolby Digital audio and is broken into 10 parts: Water, Cityscapes, Discovery, Flight, Explore, Night, Nature, Serenity, Water Realms, and Levity. The shortest episodes last just four minutes and the longest only seven.

All episodes feature beloved Disney characters such as Moana, Ariel, Elsa, Aladdin, and Judy Hopps, focusing on scenes and moments germane to that episode’s subject. My only real complaint is that they chose to show everything with letterbox bars, retaining a 2.35:1 aspect ratio throughout. That would be fine if all the content were native 2.35:1, but a fair bit of it is 16:9 (or less) which means pillar-boxing (black bars on all four sides) the image. Perhaps keeping the constant vertical height is a better way of staying in the mindfulness zone, but I would have preferred the 16:9 content filled the screen. 

Also, since much of this content already exists on Disney+ in 4K HDR with Dolby Atmos audio, it would have been nice if they would have just pulled scenes from these titles for a higher overall presentation. Instead, we are limited to the audio and video resolutions of The Rescuers Down Under, Tarzan, Lilo and Stitch, and some of the other older titles.

Those nits aside, these scenes stripped of music, other effects, and dialogue with the Foley effects amplified allow you to focus on the specific sound elements that help bring each scene alive, and the scenes flow nicely from one to the next. Remember, unlike a live-action movie, in animation, no sound is captured “on set,” and every bit of audio is created to bring the scene and the animated world to life.

Clearly hear the rippling sounds paddles make as they pull through in the water, the drips of splashing wave droplets, or bubbles drifting up past characters underwater. Some of my favorite audio moments are from Moana, such as the scene on her boat. Note the sounds of her stitching and pulling the thread through the sail, pulling ropes on the boat, and the wind billowing and creaking all around. 

Outdoor scenes let you appreciate sounds of birds chirping off in the distance well outside your main left/right speakers, the rustle of leaves as you pass through a forest, the sounds of birds flapping overhead, along with the sounds of rain and crashing thunder.

Not all of the sonic moments are about bombast, but many allow you to appreciate the subtleties and nuance of the mix. Notice the echoing of Anna’s footsteps inside Elsa’s immense ice castle, the delicate rustle of grass beneath Rapunzel’s feet, the tonal change of the fire crackling on Moana’s torch as she walks from a cramped cave into a large cavern, or the spark of fire and smoke trailing from an incense stick Mulan lights. Or discern the distinctly different sounds used for shooting stars, all of which convey the same sense of motion but with a  different feeling.

While Zenimation doesn’t employ an immersive object-audio mix, the upmixer in a modern surround processor does a capable job of positioning appropriate sounds overhead. You’ll hear the screams of eagles, fireworks exploding, wind whistling and rushing past, birds chirping, the ringing of bells from Quasimodo’s tower, as well as rain droplets and water splashes. There is also a nice amount of deep bass courtesy of things like the deep cascade of waterfalls, the stampede of animals, or the crackling of stones and boulders.

Zenimation gives movie lovers a fun and creative way to understand the audio elements and sound design work that goes into crafting a film’s sonic world, helping you appreciate the art of filmmaking. And with the whole series taking less than an hour to watch, there’s no excuse not to check it out. 

Probably the most experienced writer on custom installation in the industry, John Sciacca is co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at @SciaccaTweets and at johnsciacca.com.

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