“The Hunger Games” and “Catching Fire”
Never mind that they’re categorized as YA (Young Adult) fiction, Suzanne Collins’ Hunger Games trilogy—The Hunger Games, Catching Fire, and Mockingjay—was a must-read between 2008 and 2010. Now, nearly 10 years after the last book in the trilogy, Collins is bringing readers back to Panem with a prequel novel titled The Ballad of Songbirds and Snakes, which takes place about 50 years before heroine Katniss Everdeen (Jennifer Lawrence) is born and will follow Coriolanus Snow (Donald Sutherland) long before he rises to power as President.
Several weeks ago, Dennis Burger wrote about his and his wife’s annual tradition of watching The Lord of the Rings trilogy, returning to the films much like comfort food. The Hunger Games has a similar quality for me and my wife. When browsing through the onscreen cover-art display on our Kaleidescape system, one of the four titles in the tetralogy is bound to pop up, prompting us to say, “Oh! The Hunger Games. I’d totally be up for watching that again!”
I can’t say just what it is I love so much about these movies. Perhaps it’s because the films—particularly The Hunger Games—do such a wonderful job of staying true to the fantastic source material. Perhaps it’s because even though the first film revolves around an almost entirely teenage cast, it never treats it as a kid’s story. Perhaps it’s because with all the films clocking in at over two hours—with the first two just shy of two and a half—it’s because they have plenty of time to develop, giving you an opportunity to actually care about these characters and their life-and-death struggle. Perhaps it’s the fantastic acting, including the role
GAMES AND FIRE AT A GLANCE
With a Hunger Games prequel novel about to hit stores, now is an ideal time to revisit the film adaptations of the original book series. The first two movies—The Hunger Games and Catching Fire—having been shot on film, especially benefit from the 4K/HDR treatment.
HDR adds depth and dimension to the shots, and punch to brighter elements like flames, fireballs, and Caesar’s smile.
The Atmos mixes feature tons of immersive atmospheric effects, hard-directional cues, and generous use of the height channels.
that turned Lawrence into a superstar and Woody Harrelson’s perfect take on former Games winner now mentor Haymitch Abernathy.
For those not familiar with the story, I’d urge you to first visit the novels, as they do help to flesh out some bits that will increase your appreciation for the series. If reading isn’t in your future, then I’ll offer a spoiler-free summary.
In a dystopian future, the nation of Panem is divided into 12 districts. Rebellion nearly tore the nation apart, and as the opening titles inform, “In penance for their uprising, each district shall offer up a male and female between the ages of 12 and 18 at a public ‘Reaping.’ These Tributes shall be delivered to the custody of The Capital. And then transferred to a public arena where they will Fight to the Death, until a lone victor remains.”
Hailing from District 12—one of the poorest in Panem—Katniss volunteers as Tribute after her younger sister’s name is initially selected for participation in the 74th annual Hunger Games. Katniss and fellow District 12 Tribute Peeta Mellark (Josh Hutcherson) are then whisked away to the Capital, where they are given makeovers along with time to train and to hone their skills, both in order to survive the Games and to hopefully impress viewers in an effort to curry favor with wealthy sponsors who can potentially save a Tribute’s life by sending gifts into the Games.
If you like to draw parallels between films and our country’s current political situation, there are elements here between the charged climate in Panem and our national divide, should you want to look for them. Panem is pretty clearly divided between the haves of Districts 1 and 2 and the have-nots of everyone else, which can be a nod to the 1%-ers. There are also those who support and love the Capital and those who want to start a rebellion against it. The tenuous role of Gamekeeper—kept alive and in position at the whim of President Snow—could also be compared to the current administration’s revolving Chief of Staff position.
Of the four films—the final installment of the book trilogy, Mockingjay, being split into two parts—The Hunger Games is my favorite. Getting to know Katniss, Peeta, Gale (Liam Hemsworth), Haymitch, Effie (Elizabeth Banks), and over-the-top host Caesar Flickerman (Stanley Tucci) establishes and draws you into the series.
Taking place almost a year
after the events of The Hunger Games, the second film, Catching Fire, uses the Quarter Quell to turn victors’ lives upside down—“What we game makers like to call ‘a wrinkle.’” It also tells you far more about life in the Capital and sets the spark of the rebellion that occurs in the final two films, both of which take place almost immediately after the second film ends.
With 24 teens fighting in The Hunger Games until a “lone victor remains,” you’d expect a lot of death, and the filmmakers handle this in a PG-13 manner without shying away from it or glorifying it. By far, the most action happens at the Cornucopia at the very start of the games, but this is filmed in a frantic, handheld style with quick cutaways and edits that give you the sense of what is happening—and who is dying—while sparing you the gore.
All four films are available in both UHD Blu-ray and via Kaleidescape in full 4K HDR. The first two were filmed in 35mm and were taken from a 2K digital intermediate for home release, while the final two were shot on ArriRaw at 2.8K and taken from a true 4K DI.
The filmmakers frequently push in tight on actors, often with a face almost filling the screen, and you can appreciate the terrific detail here. Every pore, scar, and stray hair—even Effie’s pancake makeup—is clearly on display. You can also see all the texture and detail in clothing, with the jackets worn by Katniss and Rue (Amandla Stenberg) having fine single-line detail on the shoulders that is sharp and clear. The only artifacting I noticed was some jaggies in the shadows of fallen spears at the 42 minute mark in the first movie.
Longer shots in The Hunger Games are softer, however, with the leaves and trees in the forest not having razor-sharp edges. Also, there is a large tree in Catching Fire that is pretty obviously CGI that looks soft in the 4K transfer.
Night plays a key role in the first two films—it’s the best time to move around undetected when you’re being hunted or to hunker down and sleep—and while blacks were deep with nice low-level detail, there is a bit of noise in parts of the first film I didn’t notice in the second. Also, there’s a tad of grain in some of the shots in the first film, but it’s not distracting.
HDR’s enhanced contrast adds depth and dimension to the images, and gives additional punch to things like roaring flames, fireballs, or even Caesar’s enhanced smile. It also creates a wonderfully natural image in the second film when some characters are talking next to a fire with their faces lit with a warm glow from the flames. You can appreciate the wider color gamut and HDR in Catching Fire, where you see the elaborate costumes at the Capital party, the glowing lights on Caesar’s
set, or Katniss’ “girl on fire” dress with colors that burn off the screen.
All four films feature Dolby TrueHD Atmos soundtracks, and while the mixes for the first two aren’t overly aggressive, they certainly do a great job of putting you in the action, with tons of immersive atmospheric sounds, hard-directional cues, and generous use of the height speakers when appropriate.
During the many outdoor scenes, the room fills with the sounds of insects buzzing, leaves rustling, and birds chirping. The room also fills with the sounds of Caesar’s roaring crowds, or the buzz and hum of machinery and lighting inside the Game room. There are also a couple of moments where
you’re alerted to someone behind you by the snap of a twig from the rear or the angry bzzzzz of a tracker-jacker nest. PA announcements are mixed into the height speakers to good effect, making it sound like the voice is booming into the arena.
The couple of moments in Catching Fire that feature gunfire are loud, sharp, and dynamic, and when there is a moment that calls for deep bass—fireballs crashing into trees, trees crackling and splintering, the cannon boom announcing the death of a Tribute—the soundtrack delivers.
Dialogue remains well presented and clear no matter the action, making sure you never miss an important exchange between characters.
The Hunger Games series has great replay value. It’s entertaining from start to finish, whether you’re watching it for the first time or the tenth. (Seeing the first two movies for the first time even inspired my 13-year-old daughter to go read the books.) If you haven’t watched it presented in full 4K HDR with the Atmos soundtrack, now is the perfect time to get ready for your return to Panem when Collins’ new book arrives on May 19.
Probably the most experienced writer on custom installation in the industry, John Sciacca is
co-owner of Custom Theater & Audio in Murrells Inlet, South Carolina, & is known for his writing
for such publications as Residential Systems and Sound & Vision. Follow him on Twitter at
@SciaccaTweets and at johnsciacca.com.