It was 1989. I had just finished building my first theater, the Roxy, and my career as a home theater designer was still in its infancy. The Roxy featured gigantic JBL speakers behind a perforated screen. They were way too big for that small space, but so what—all I cared was that they were the exact same speakers used in my favorite New York theater, the Ziegfeld. With (more than) a little stretch of the imagination, being at the Roxy felt the same to me as sitting inside the Ziegfeld, getting lost in one of those 70mm spectacles of the ‘60s like My Fair Lady, West Side Story, The Sound of Music, and, yes, Lawrence of Arabia
When Lawrence made it to video in HD a few years ago, I felt a circle had been completed. I was finally able to own one of the most spectacular and intelligent epics ever made and see it in a presentation that captured most of the sonic grandeur and the visual splendor of the original. I thought this was it—we finally had a version of the film that was as perfect as we would ever see in a home theater. Boy, was I wrong . . . .
Fast forward five years later to the 4K restoration of Lawrence of Arabia. I knew about it, but only recently was I able to experience it with my own eyes. Seeing it at the Barco demo facilities in Lower Manhattan through a Barco Loki projector using a Kaleidescape Strato Movie Player as a source, I was dazzled—and spoiled forever. Maybe I’m wrong, but the picture looked better than what I remember seeing at the Ziegfeld. It felt like watching Lawrence for the first time. Every little detail jumped out of the frame with crispness and clarity, and every color nuance was there to be savored with relish. This version of Lawrence of Arabia, available at the Kaleidescape store, is one for the ages. Home theater doesn’t get better than this.
Theo Kalomirakis is widely considered the father of home theater, with scores of luxury theater
designs to his credit. He is an avid movie fan, with a collection of over 15,ooo discs. Theo is the
Executive Director of Rayva.