Ralph Breaks the Internet, the followup to 2012’s Wreck-It Ralph, is one of those rare sequels that, if not better than the original, stands equal to it. Like many modern Disney (and Pixar) films, even though it’s animated, Breaks’s story and themes are designed to appeal across a wide range of ages, and offers plenty of laughs and emotion for everyone in the family.
Around six years have passed since the end of the first movie, and life remains mostly unchanged in the arcade for Ralph (John C. Reilly) and Vanellope (Sarah Silverman), who spend their days playing as characters in their video games, and their nights hanging out together, traveling to different games and throwing back root beer at Tapper’s.
When the steering wheel in Vanellope’s racing game, Sugar Rush, breaks, the machine is unplugged, leaving all of the characters “gameless” (i.e., homeless). Ralph and Vanellope turn to the Internet to find the part needed to repair the game, starting our heroes on their quest. But the film is really about friendship enduring as people grow and change. And the insecurity that one person feels when they are totally happy with the status quo and want nothing to change, and the other wonders what more the world has to offer and feels like they need to move on. Ultimately, your friends don’t need to be exactly like you to be your friends, and we need to let the ones we love be free to pursue their dreams, even if that means potentially losing them. Heady themes for a “kid’s” movie.
Ralph checked all the boxes for me; video games, nostalgia, technology, Disney, and Easter eggs aplenty, rivaling Ready Player One for things hidden in the background. (Google the license plate in the shark’s mouth for one great one!)
The film does a great job of visualizing how technology works—from the concept of packetizing data and sending it through a router and off to the Internet, how searches, viral videos, and pop-ups work—what causes the Internet to drop, and imagining what the Internet might look like if it were a physical place that data actually visited.
Without a doubt, the scenes at OhMyDisney.com were my favorite parts of Breaks, and quite possibly some of my favorite scenes from any movie in recent years. This area of the ‘net brings together virtually every Disney property—classic Disney, princesses, Pixar, Star Wars, Marvel, hidden Mickeys —into a lengthy segment featuring some fantastic Easter eggs throughout that had me smiling until my cheeks hurt. Instead of just being a cheap franchise tie-in, this scene brings multiple franchises together in a fantastically organic and entertaining manner. And kudos to Disney for getting all of the original actors back to reprise their voice roles here. Great stuff!
Similar to how the first film used different animation styles to differentiate between the worlds of Fix-It Felix (Ralph’s game), Sugar Rush (Vanellope’s game), and Hero’s Duty (Calhoun’s game), Breaks has different visual looks and styles
depending on where we are in Ralph’s world: the arcade, inside different games, the Internet, or the Dark Web.
One of the marquee locales is Slaughter Race, a gritty, smoggy, bathed-in eternal dusty-golden-light, crime-ridden world a la Grand Theft Audio. Here we meet ultra-racer/gang leader, Shank (Gal Gadot), who ends
up becoming an unlikely mentor and pivotal in Vanellope’s journey as well as contributing to a big-time song-and-dance number that’s an homage to classic Hollywood pieces of old.
Animation generally looks fantastic in 4K HDR, and Breaks definitely doesn’t disappoint. Colors are incredibly bright and punchy, almost neon when called for, especially in the Internet. Blacks are also deep, with a lot of detail.
Breaks sounds as good as it looks, with an aggressive Dolby Atmos soundtrack that’s used effectively throughout, both to create environment and to add impact to the onscreen action. The overhead, ceiling speakers are smartly used to create a wonderfully immersive experience, such as the echoing, swirling sounds when Ralph and Vanellope travel into the Internet or the multiple announcements that occur throughout. The carjacking scene in Slaughter Race also sounds great, with a lot of dimensionality and solid bass accompanying the crashes.
While mostly family friendly, there were a couple of scenes in the film’s final act —notably Ralphzilla and Double-Dan (you’ll know him when you see him) —that were a little too intense and frightening for my almost-3-yo.
Definitely continue watching through the end credits for one last great Ralph meme—probably the most perfect end credits scene a movie about breaking the Internet could possibly have.
The 4K HDR digital download is available from the Kaleidescape store now, a full two weeks before the physical disc is released, and contains numerous making-of docs, a handful of deleted scenes, and two music videos.
Adrienne Maxwell has been writing about the home theater industry for longer than she’s
willing to admit. She is currently the AV editor at Wirecutter (but her opinions here do not
represent those of Wirecutter or its parent company, The New York Times). Adrienne lives in
Colorado, where she spends far too much time looking at the Rockies and not nearly enough
time being in them.